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  • AOTG

    Vimeo Introduces Rating System

    January 31, 2013, 9:31 am
    Vimeo has never been a place that censored content, now they’re offering filmmakers a chance to let their audiences know what’s in store.

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  • Other Postings By Member

    • Sennheiser FOCUSMIC Digital - Smart Mobile Sound
      SOUND

      Sennheiser FOCUSMIC Digital - Smart Mobile Sound

      September 16, 2017, 3:30 pm
      The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.

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    • VFX Basics with Vegas Pro by Bobby Grubic
      VFX

      VFX Basics with Vegas Pro by Bobby Grubic

      September 15, 2017, 1:35 pm
      In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects to the entire project which can give you more options during the edit. If you wanted to apply something like a vignette or color correction to the entire edit you could do that by applying the effect to the video master output.

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    • AOTG
      VFX

      Why Toronto Has Become Hollywood's Go-To Source fo

      September 15, 2017, 4:06 am
      When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.

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    • AOTG
      EDITING

      Harder, Better, Faster, Stronger: How to Create an

      September 15, 2017, 4:06 am
      If you don't have a streamlined post workflow, you can kiss efficiency and your sanity goodbye. Seriously, one of the best ways to make your life easier in post-production is by maintaining a well-organized workflow, one that not only allows you to work faster but one that also allows you to work smarter so you're not losing great shots and perfect takes in the chaos of post. In this video, Matti Haapoja of TravelFeels shares some insight on how to create and maintain an effective editing workflow by walking you through his process from start to finish.

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    • AOTG
      VFX

      Westworld Breakdown

      September 14, 2017, 6:39 am
      ILP WESTWORLD BREAKDOWN 2017

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    • AOTG
      EDITING

      RED IPP2 Workflows

      September 13, 2017, 11:39 am
      In this article, I’m going to get in and scratch the surface of RED’s new IPP2 workflow. The first thing that’s important to understand, especially if you’re new to RED’s cameras, is what exactly does IPP stand for? IPP is RED’s Image Processing Pipeline, which will help guide you and your image from when it hits the sensor, to when you see the final product on screen. What RED is doing with the move to IPP2 is to separate the technical process from the creative process, as well as improve image quality and workflow.

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    • AOTG
      EDITING

      Adobe CC Gets Improvements Update

      September 13, 2017, 11:39 am
      The latest Adobe CC Update adds revamped responsive design features, intuitive motion graphics and new time-saving audio tools.

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    • AOTG
      VFX

      View Conference 2017: The program is out with more

      September 13, 2017, 6:45 am
      The next edition of View Conference is coming really soon!

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    • Zafari Is Being Rendered Completely With The Unrea
      VFX

      Zafari Is Being Rendered Completely With The Unrea

      September 13, 2017, 6:45 am
      Zafari is a cg animated children’s television series created by David Dozoretz in which animals are magically born with the skin of other creatures. The show is notable as the first animated television series being rendered entirely with Epic Games’ Unreal Engine.

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    • AOTG
      VFX

      KONG - SKULL ISLAND: VFX Breakdown by ILM

      September 12, 2017, 12:48 pm
      Check out this really cool VFX Breakdown by Industrial Light & Magic about their work on KONG – SKULL ISLAND...

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