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  • Norman Hollyn on Editing Heathers

    Norman Hollyn on Editing Heathers

    February 7, 2013, 12:00 pm
    This episode Gordon talks to Norman about editing the cult classic Heathers. Also, 10 tens left before the closing of the job posting at USC. Finally, make sure to check out our friends podcast That Post Show!

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  • Other Postings By Member

    • AOTG
      EDITING

      Editor Johanna Giebelhaus on Toni Morrison

      January 30, 2019, 10:24 am
      Drawing on his longtime friendship with the legendary novelist, photographer and documentarian Timothy Greenfield-Sanders’ Toni Morrison: The Pieces I Am paints a full, intimate portrait of her life and work.

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    • AOTG
      VFX

      Making Road To Glory VFX

      January 30, 2019, 10:23 am
      The Mill presents their work on this full CG commercial for TOP ELEVEN Football Manager...

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    • AOTG
      SOUND

      The Supervising Sound Editor Saving Movies

      January 30, 2019, 10:23 am
      We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.

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    • Legend 3D Makes Key Hires: Post Director Meetal Go
      VFX

      Legend 3D Makes Key Hires: Post Director Meetal Go

      January 30, 2019, 5:47 am
      Legend 3D welcomes two multiple award-winning creatives to key positions in its global organization, with the addition of Meetal Gokul as Director of Post Production and Senior Colorist in its Hollywood facility, and Jay Mehta as VFX Supervisor at its Pune, India studio. That announcement was made by CEO Aidan Foley. Gokul will work closely with Legend’s Office of Operations heads Jeff Shapiro (Production) and Jeremy Nicolaides (Creative). Mehta will report in to Los Angeles-based Creative Director Simon Kern and its executive management team.

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    • AOTG
      VFX

      MARY POPPINS RETURNS – and So Do Old-School Effe

      January 30, 2019, 5:46 am
      MARY POPPINS RETURNS Visual Effects Supervisor Matt Johnson on honoring the original film’s timeless analog qualities

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    • AOTG
      VFX

      Help I Shrunk My Parents VFX Breakdown

      January 30, 2019, 5:46 am
      Have a look at the various techniques used by Pixomondo for HELP, I SHRUNK MY PARENTS (HILFE, ICH HAB MEINE ELTERN GESCHRUMFT)...

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    • AOTG
      VFX

      Red Giant Introduce Universe 3

      January 29, 2019, 1:54 pm
      With a focus on UI and text tools, Red Giant has officially released its Universe 3.0 with a new Universe dashboard and over 75 tools supported across 8 host applications - including most notably Adobe Premiere Pro and After Effects.

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    • AOTG
      EDITING

      Cutting Ocasio Cortez Before Her Fame...

      January 29, 2019, 1:53 pm
      How do you edit a film about a public sensation before she’s become one? And how do you edit the story of four different women running for office, without knowing if any of them will win? Robin Blotnick knows the answer, and it involves organization, a ton of scene cards, and imaginative problem-solving when it comes to envisioning the future.

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    • Memory - The Origins of Alien (Sundance 2019 Revie
      VFX

      Memory - The Origins of Alien (Sundance 2019 Revie

      January 29, 2019, 1:53 pm
      Memory – The Origins of Alien, premiering in the Midnight Category at Sundance 2019, follows the making of the science fiction classic: Alien. I caught the screening on a Friday morning… admittedly not midnight… more of a brunch showing. The film is a deep dive into the pace, imagery, cinematography, script and THAT ONE SCENE where the creature buys a one way ticket to Bloodville via the Chest Cavity Express. Here’s a glimpse at the doc that aims to reveal what made Alien a gooey, light flickering sci-fi masterpiece, where it rains inside and steam is inexplicably everywhere…oh wait. Ridley Scott did explain it. “‘Cause it looks cool.”

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    • AOTG
      VFX

      Aquaman VFX Supervisors Interview

      January 29, 2019, 10:07 am
      With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON’T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS.

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