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February 11, 2013, 8:28 am
Tom Hooper’s big-screen adaptation of Les Misérables garnered four awards – Best Supporting Actress for Anne Hathaway, who played the ill-fated Fantine, and three in production categories; Best Hair and Make-Up for Lisa Westcott, Best Production Design for Eve Stewart and Anna Lynch-Robinson and Best Sound for Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole and John Warhurst.
April 26, 2010, 7:01 pm
EditFest NY 2010 has confirmed editor Michael Berenbaum as a panelist for this year's event. Michael's acclaimed work includes Before Night Falls, Nurse Jackie and Sex and the City 1 and 2 (including the series). For more information on this year's event go to www.editfestny.com.
April 26, 2010, 7:01 pm
AVID Media Composer rules high end production for feature films and broadcast. Even though other systems offer competition, AVID remains a formidable force at the high-end of film and video production. So what is it which makes AVID Media Composer so strong? In this discussion key members from AVID discuss the strengths which Media Composer offers, they talk about key features to the newly announced AVID Media Composer 5, and explain just why AVID editors LOVE the AVID and why the vast...
April 26, 2010, 7:00 pm
Avid just isn’t slowing down. I advised them that they just needed to slow down. But did they listen? Nope. Why slow down? Because just as soon as you get used to one version, another version comes along and has tons more features that you want.
April 25, 2010, 1:04 pm
A blog from an editor just starting out in the feature world. My heart is storytelling. My goal is to aid the Director and/or Editor in telling the best story possible. I have a lot to learn and a lot to share. Hope you enjoy.
April 24, 2010, 6:59 pm
It used to be very simple. If you wanted to be an editor, you first apprenticed, then became an assistant. You observed everything your editor did, worked hard, learned the craft, and one day someone hired you to cut their film. Actually, it was never that simple, but there is no doubt that today’s progression from assistant to editor is much less clear. With the popularity of film schools, the decentralization of the entertainment business and the advent of digital technology that has...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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