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February 12, 2013, 10:54 am
Weekly Fashion Celebrity Interview Show ”The Look” Shot In NYC, Produced in London, Seamlessly using Aframe; Helps Grow Business In Both US, UK
BOSTON, Mass. & LONDON--(BUSINESS WIRE)--As Fashion Week continues in New York and ramps up in London, Aframe announced that its cloud video technology helped Crispy Duck Productions debut Season 2 of “The Look,” a weekly fashion celebrity interview program from Harper’s BAZAAR. Through the use of Aframe, the program achieves the lush production values that reinforce the magazine’s luxury positioning with speed and ease and at a budget not typically associated with cross-continent productions.
Filmed in full broadcast resolution, “The Look” airs Wednesdays on Hearst’s Hello Style channel, one of YouTube’s most popular fashion and beauty verticals. Crispy Duck Productions creates “The Look” to the same quality standards as broadcast TV, with none of the shortcuts often associated with web video. The first episode of the second season launched on February 6 with Tyra Banks. First season interviews included Michelle Dockery, Kim Kardashian – which drew more than 1MM views – and Kiernan Shipka, of “Mad Men.”
Following each shoot, Crispy Duck’s team in New York uploads raw interview footage and stores it on Aframe’s private cloud network, allowing the London team to get to work immediately. Using Aframe avoids the delays and costs associated with overnight shipment of hard drives, and allows team members and clients to have anywhere, anytime access to the content. Aframe’s ultrafast delivery enables Laura Brown, executive editor of Harper’s BAZAAR and host of “The Look” to review raw footage with a simple click on a Web link to H264 proxy files. Aframe also provides features for real time commenting, creating simple assemblies and searching video that are helpful in expediting review and approval.
“Aframe allows us to efficiently manage the sorts of large-scale productions that have typically been beyond boutique production companies,” said Lindsay Lowe, Creative Director of Crispy Duck Productions, from their London HQ. “Crispy Duck is rapidly expanding and increasingly sought to deliver ever-larger productions at home and abroad. Aframe allows us to seamlessly capture and serve major clients from our US filming hubs in New York and LA, as easily – and economically - as if they were here with us in London.”
Operational in London since 2010, Aframe expanded its private cloud network to the US in 2012. Aframe’s highly secure, exceptionally fast cloud allows professional video creators to share, search and collaborate without on-site equipment or full-time staff – anywhere, anytime – requiring only an internet connection.
“Crispy Duck Productions proves that you can be forward-thinking as well as fashion forward, with the right technology solutions at your side,” said David Peto, CEO of Aframe.
Aframe is a web-based service designed to liberate the video production industry by providing a shared, secure space for production companies, broadcasters, marketing agencies, and any business or individual working with the moving image. Using Aframe, producers can plan, create content, collaborate, store, edit, distribute and make footage searchable. Aframe aims to take the blood, sweat and tears out of content creation, without needing equipment or full-time staff, and only requiring an internet connection.
For more information about Aframe visit aframe.com
April 6, 2016, 9:40 am
The new Aframe version features a new look player with much improved non-video file previews. This includes audio playback in the browser and support for previewing a wide range of graphics files. Here’s how audio files get displayed in the player: As with Soundcloud, users can jump to a specific point of interest in the... Read More
April 5, 2016, 5:18 am
David Peto, CEO and founder of Aframe, believes operators must learn how to manage vast amounts of video flowing on networks better, given insatiable demand from consumers. UK-based Aframe is a cloud platform for video collaboration, and claims to provide a central location for people to “instantly, view, access and work with high resolution video”.... Read More
February 4, 2016, 11:22 am
Being a novice when it comes to video production and editing, creating my first internal communications video to be seen by everyone at Aframe was definitely going to be a real learning experience for me. What follows is a beginner’s guide to video editing, based on my own trials and tribulations of producing my first... Read More
January 27, 2016, 10:24 am
Working collaboratively with colleagues, agencies and clients is essential to your organization’s success, but it’s rarely easy to do so. Ever tried sending an hour-long video or a collection of finished masters to people outside your team? Then you know what a pain it can be when they’re forced to purchase special software, or when... Read More
December 8, 2015, 6:00 am
1. The Settings tab has two new sliders – one for upload and one for download Does your IT team want more control over their transfers? Simply manage the proportion of bandwidth on the local network allocated to transfers carried out by Aframe Desktop. Moving the slider from left to right will increase the... Read More
November 12, 2015, 4:39 am
Westford, MA and London, November 12th, 2015 – Waterfront Film Studios has deployed Aframe’s cloud video platform as a solution to effectively manage and streamline its post-production workflows with users and partners globally. Aframe has replaced Waterfront’s previous manual processes for sharing and editing content, which were reliant on courier and online services, and has consequently delivered... Read More
September 23, 2015, 5:03 am
Cloud delivery & review help teams find and fix issues quicker, streamline a global workflow A+E Networks’ award-winning programming reaches more than 330+ million subscribers in 200 countries. The content is distributed through its portfolio of channel brands, HISTORY, A&E, Lifetime, H2, Crime + Investigation and FYI, and is licensed to third party broadcast television... Read More
September 15, 2015, 9:21 am
The market for online video solutions can be confusing for the modern buyer. Especially for those who attended IBC in the hope of finding a solution to manage professional video. No doubt you’ll be returning home with a sore head from the myriad of vendors each pitching ‘revolutionary’ products – and not just the complementary... Read More
September 11, 2015, 9:51 am
After looking round one of the world’s largest broadcast technology shows, the mind quickly veers from cameras, asset management and drones, to food. All too often, the awesome products and demos on the show floor are badly let down by the grub the venue has to offer. Chips, burgers, pizza and not a lot else seems... Read More
September 3, 2015, 9:16 am
As more companies turn to the cloud as a way to streamline workflows and cut costs, every vendor seems to offer some type of cloud solution. The benefits, enabling teams to collaborate across geographies and time zones and making media centrally accessible, can transform workflows. But like any big industry shift, innovations are happening as... Read More
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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