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February 12, 2013, 12:55 pm
Director Matthan Harris recently turned to Burbank-based AlphaDogs Post to finish his new independent thriller The Inflicted. Postproduction initially began with AlphaDogs editor and colorist Sean Stack working one-on-one with Harris to decide the best approach to meet the desired look for the film. After the final edit was completed, cinematographer Cira Felina Bolla joined the team to review master shots and help shape the cool dark feel of the story.
February 22, 2018, 6:29 pm
Golden Reel: Blade Runner 2049 and War for the Planet of the Apes Win Top Honors Blade Runner 2049 captured the Golden Reel Award for Best Sound Editing in Feature Film for FX/Foley and War for the Planet of the Apes took the prize for Best Sound Editing in Dialogue/ADR. Blade Runner 2049 supervising […] The post 65th Annual MPSE Awards appeared first on Below the Line.
February 22, 2018, 6:06 am
At UCLA’s Royce Hall, an international consortium of nominees and winners added a multicultural flair to the popular Annie Awards, recognizing the best in animated works across multi media. While Disney-Pixar swept the major categories for their feature Coco, animators, designers, directors, and voiceover artists of all extractions walked the red carpet before a […] The post Annie Awards Showcase International Participants appeared first on Below the Line.
February 21, 2018, 10:20 am
From the Coen Bros. to Charlie Kaufman and now Martin McDonagh, Carter Burwell is known for his unique sensibility and flawless scores. In the spirit of his generosity of self this busy Awards Season, Below the Line presents an uncut Q & A session with the master Composer and lets the love flow. Below […] The post Composer Carter Burwell Illuminates His Process on Three Billboards Outside Ebbing, Missouri appeared first on Below the Line.
February 19, 2018, 6:31 pm
War for the Planet of the Apes took the upper hand – or, perhaps paw – heading into the Oscar VFX showdown with Blade Runner 2049, as it won the evening’s top prize at the VES Awards, for “Best Visual Effects in a Photoreal Feature.” Indeed, the evening was marked with many instances to wonder […] The post VES 2018: Practical Magic appeared first on Below the Line.
February 19, 2018, 2:02 pm
Master sound editor and sound designer Julian Slater (Mad Max: Fury Road, Scott Pilgrim vs. the World) envelopes the audience in a world of syncopation in Edgar Wright’s summer hit film, Baby Driver. Syncopation means a disturbance or interruption of the regular flow of rhythm, such as the tempo of that […] The post Sound Designer Julian Slater’s Syncopation on Baby Driver appeared first on Below the Line.
February 19, 2018, 7:29 am
Filmmaker Award Kathryn Bigelow Career Achievement Award John P. Fasal Outstanding Achievement in Sound Editing – Animation Short Form Overwatch – Honor and Glory (Blizzard Entertainment) Supervising Sound Editor: Paul Menichini, MPSE Audio Lead: Caroline Hernandez, MPSE Sound Designers: Alexander Ephraim, Harry Cohen, MPSE, David Farmer, Geoff Garnett, Kris Giampa, Paul Lackey, JP […] The post 2018 MPSE Awards Winners appeared first on Below the Line.
February 18, 2018, 5:33 pm
The CAS Awards are held annually to honor outstanding achievements in sound mixing for film and television. Stand-up comedian Michael Kosta, who recently made his debut on The Daily Show, will be hosting this year’s event at the Omni Los Angeles Hotel in the Bunker Hill Ballroom. Cocktails are served at 5pm and dinner at 6:30pm […] The post The 54th Cinema Audio Society Awards Feb. 24, 2018 appeared first on Below the Line.
February 18, 2018, 5:32 pm
From the complex, thirty-five year family dynamics that fuel the Pearson children in ABC’s “This Is Us,” to the superpowers forged in the schizophrenic mind of David Haller (Dan Stevens) in FX’s Legion, Smart Post Sound has paved the audio path for these, and many other critically acclaimed entities. This year, they’re taking […] The post Smart Post Sound Signs On As After Party Sponsor For 54th CAS Awards appeared first on Below the Line.
February 13, 2018, 10:30 am
For director Denis Villeneuve’s Blade Runner 2049, sound designers Theo Green and Mark Mangini relished the challenge of creating the film’s soundtrack without the use of any off-the-shelf effects. The director tasked them to “compose with sound.” Everything heard in the film’s universe was “created from whole cloth” by sound designers and sound editors. “Theo […] The post Oscar Nominated Sound Designers Theo Green & Mark Mangini – Blade Runner 2049 appeared first on Bel...
February 13, 2018, 6:21 am
For Richard King, designing the sound for director Christopher Nolan’s WWII war epic, Dunkirk, “was quite a journey,” which began with reading books to get into the history. In particular the book, Voices of Dunkirk, provided first hand accounts of participants in the event. The research gave him “a global understanding of what happened” […] The post Oscar Nominated Sound Designer Richard King – Dunkirk appeared first on Below the Line.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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