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February 12, 2013, 12:55 pm
Director Matthan Harris recently turned to Burbank-based AlphaDogs Post to finish his new independent thriller The Inflicted. Postproduction initially began with AlphaDogs editor and colorist Sean Stack working one-on-one with Harris to decide the best approach to meet the desired look for the film. After the final edit was completed, cinematographer Cira Felina Bolla joined the team to review master shots and help shape the cool dark feel of the story.
March 20, 2012, 3:39 pm
MTI Film will showcase its new Cortex platform at NAB 2012. The company received positive responses when it previewed Cortex::Convey, the first offering in the Cortex family, at the Hollywood Post Alliance Technical Retreat in February. This new generation of Convey builds on the foundation of its predecessor - the automated, data-centric deliverables application used in MTI Film's Control Dailies system. Cortex...
March 19, 2012, 3:27 pm
Optimus has promoted Hovig Menakian to editor. Based out of Optimus Santa Monica, Menakian most recently cut spots for the Taco Bell's Doritos Locos Tacos launch, which are currently airing.
March 16, 2012, 2:46 pm
Visual effects software developer, The Foundry, has released MARI 1.4v3 - the latest update to its cutting-edge texture and matte painting tool for 3D artists. The new release features several fixes and tweaks and includes a host of upgrades that current users have requested.
March 6, 2012, 3:39 pm
Codex Digital announced full support for the new ARRI Alexa Studio. The combination of the Alexa Studio, with its 4:3 sensor and optical viewfinder, and the Codex Onboard Recorder, is already proving to be a popular choice for feature films. The combination is currently being used on films such as Skyfall (Roger Deakins, ASC, BSC) and The Lone Ranger (Bojan Bozelli, ASC).
February 27, 2012, 4:06 pm
In their annual tradition, the American Cinema Editors once again hosted the "Invisible Arts, Visible Artists" panel of this year's Oscar-nominated editors. The popular presentation was made to a packed Egyptian Theater, on Feb. 25, the day before the Academy Awards. After an introduction by Motion Picture Editor's Guild president, Dan Cahn, Alan Heim (All That Jazz) moderated the panel, which included editors Christopher Tellefsen (Moneyball), Thelma Schoonmaker (Hugo), Kirk Baxter...
February 26, 2012, 5:37 pm
IATSE and Teamster leaders will join the LA County AFL-CIO and rank and file members of several production locals on Monday morning to walk the picket line in front of Original Productions' Burbank production facility, where Spike Television's series 1000 Ways to Die is shot.
February 23, 2012, 12:16 pm
Createasphere announced the full schedule for its March 1 Spring Entertainment Technology Expo at LA Center Studios in Los Angeles. The gathering of entertainment and media professionals will showcase emerging media trends in production, post, animation, VFX, advertising and streaming content, offering an engaging opportunity to explore the intersection of technology and creativity.
February 23, 2012, 12:16 pm
Filmworkers provided postproduction services for a spot for Texas grocery chain H-E-B in which aliens invade the Lone Star State in search of tasty, store-brand food. Matt McClain performed final color correction for the 60-second commercial, which debuted in Southwest markets during the Super Bowl broadcast. It will also air during other high-profile events, including the Academy Awards.
February 19, 2012, 4:49 pm
American Cinema Editors announced the winners of its 62nd annual Eddie awards last night at a black-tie ceremony in the International Ballroom of the Beverly Hilton Hotel. Actor and comedian Patton Oswalt served as MC for the evening. Awards were presented in nine categories of film, television and documentary editing.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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