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February 16, 2013, 4:09 pm
Blancanieves –a Spanish, black and white, silent film– is an original version of the Grimm Brothers fairy tale ‘Snow White’. The film crew has managed to push through the idea of Pablo Berger, director, and screenwriter with a laudable result. Aesthetically, this film redeems black and white cinema, to a certain extent, but that is only a part.
November 18, 2013, 5:34 am
Ha llegado la hora de escoger las mejores ediciones que se han presentado al 90to5 Editing Challenge 2013. Tienes que pasarlo bien viendo el trabajo de tantos editores 90to5 y ayudarles, así, a conseguir el Premio del Público. Entra en el siguiente enlace para ver todas las ediciones que se han presentado este año:YOU PICK!
September 19, 2013, 1:51 pm
I love this kind of transition. So, if you too, take a look at this: http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/ ––– Me encanta este tipo de transición, así que si a ti también, lee esto (en inglés); http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/
August 26, 2013, 4:34 am
Experiment with space and time of the material of the film Jeanne Dielman, directed by Chantal Akerman. The piece created and was published in this blog, but its recognition in various festivals and persistence of it in my memory did you launch the following questions to Fernando.
August 18, 2013, 8:45 am
"If you do documentary you're just absorving a real world. In a way it's more risky [than fiction] because the only way you can come back and take possesion is in the editing room."MASTERCLASS: http://www.bfi.org.uk/live/video/90 Si haces documentales, estas absorbiendo el mundo real. En cierto modo es mas arriesgado [que la ficcion] porque la unica manera de tomar el control y volver atras es en la sala de montaje
August 2, 2013, 7:26 pm
Lucky in Cannes, luck can give American director Jim Jarmusch film in exquisite Only lovers left alive. He is responsible for the smooth rhythm that metaphysics vampire love story, filmed by the director of Broken Flowers, has until the end, without falling into monotony even a second. His star began to shine La Croisette in 2012, when the long Beasts of the Southern Wild, by Benh Zeitin, left here with four awards.
July 21, 2013, 6:27 am
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