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  • Oscar 2013

    Oscar 2013

    February 24, 2013, 11:52 am
    Retrospective in anticipation of the 85th Academy Awards: Conceived and Edited by Nelson CarvajalClick here to watch Best Film Editing nominees--related posts (thanks to AOTG):

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  • Other Postings By Member

    • Premiere > After Effects
      EDITING

      Premiere > After Effects

      November 22, 2013, 10:51 am

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    • Making-of Last Passenger
      SOUND

      Making-of Last Passenger

      November 20, 2013, 8:34 pm
      Joe Walker on editing Last Passenger:VFX: Sound design:

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    • ¡Escoge tu edición 90to5 favorita!
      EDITING

      ¡Escoge tu edición 90to5 favorita!

      November 18, 2013, 5:34 am
      Ha llegado la hora de escoger las mejores ediciones que se han presentado al 90to5 Editing Challenge 2013. Tienes que pasarlo bien viendo el trabajo de tantos editores 90to5 y ayudarles, así, a conseguir el Premio del Público. Entra en el siguiente enlace para ver todas las ediciones que se han presentado este año:YOU PICK!

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    • The Dissolve (El encadenado)
      EDITING

      The Dissolve (El encadenado)

      September 19, 2013, 1:51 pm
      I love this kind of transition. So, if you too, take a look at this: http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/ ––– Me encanta este tipo de transición, así que si a ti también, lee esto (en inglés); http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/

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    • FCP7 > Compressor 4
      EDITING

      FCP7 > Compressor 4

      September 16, 2013, 9:22 am

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    • Angus Wall and David Fincher on Zodiac
      EDITING

      Angus Wall and David Fincher on Zodiac

      September 15, 2013, 8:18 am
      Click to watch a kind of FCP7 promotional video:

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    • Fernando Franco on his piece Les variations Diel
      EDITING

      Fernando Franco on his piece Les variations Diel

      August 26, 2013, 4:34 am
      Experiment with space and time of the material of the film Jeanne Dielman, directed by Chantal Akerman. The piece created and was published in this blog, but its recognition in various festivals and persistence of it in my memory did you launch the following questions to Fernando.

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    • Masterclass with Gaspar Noe - British
      EDITING

      Masterclass with Gaspar Noe - British

      August 18, 2013, 8:45 am
      "If you do documentary you're just absorving a real world. In a way it's more risky [than fiction] because the only way you can come back and take possesion is in the editing room."MASTERCLASS: http://www.bfi.org.uk/live/video/90 Si haces documentales, estas absorbiendo el mundo real. En cierto modo es mas arriesgado [que la ficcion] porque la unica manera de tomar el control y volver atras es en la sala de montaje

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    • EDITING

      August 6, 2013, 11:35 am

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    • Affonso Goncalves on Only Lovers Left Alive and Wi
      EDITING

      Affonso Goncalves on Only Lovers Left Alive and Wi

      August 2, 2013, 7:26 pm
      Lucky in Cannes, luck can give American director Jim Jarmusch film in exquisite Only lovers left alive. He is responsible for the smooth rhythm that metaphysics vampire love story, filmed by the director of Broken Flowers, has until the end, without falling into monotony even a second. His star began to shine La Croisette in 2012, when the long Beasts of the Southern Wild, by Benh Zeitin, left here with four awards.

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