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February 28, 2013, 8:43 pm
Marek has worked as a director, producer and video editor on a wide variety of international projects. A specialist in high-end offline and online editing and DVD authoring, his vast and impressive array of music and corporate projects range from directing and editing hundreds of UK chart show music videos to producing public relations TV content for such major corporations as Ford USA and the Bank of China in Hong Kong.
December 4, 2018, 1:19 pm
How do you start cutting a scene? Find your anchor take! Editor of Moonlight, Joi McMillon, ACE shares filmmaking and Media Composer tips and tricks. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.snapchat.com/add/avidtechnology
November 30, 2018, 6:56 am
LEARN MORE https://www.avid.com/pro-tools/uvi Create your sound with UVI Falcon's powerful synthesis and sampling engine as well as with high-quality, versatile sample libraries, developed by some of the world’s most well-known and respected sound designers - now included with Pro Tools and Pro Tools | Ultimate. Follow Avid Pro Tools: Facebook: https://facebook.com/avidprotools Instagram: https://instagram.com/avid.protools Twitter: https://twitter.com/avidprotools LinkedIn: ...
November 27, 2018, 9:43 am
Julia Wong, ACE, editor of X-Men, The Last Stand, talks about editing action scenes, choosing the right takes, using the trimming tools, and making the most of Scriptsync. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.snapchat.com/add/...
November 20, 2018, 5:49 am
Zack Arnold, ACE, is the editor of shows like Cobra Kai, Empire, and Burn Notice, and he clearly explains his processes for managing media, using Media Composer, and taking care of health and well-being to maximize his creativity. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/comp...
November 6, 2018, 3:14 am
Tanya Reddin, Editor of Journey's End, Mad Dogs, and Cilla, talks with Avid about editing building a career, editing dramatic movies and TV series with Media Composer, and advice for aspiring editors.
November 2, 2018, 12:22 pm
Year after year, the Avid Customer Association’s annual Connect gathering—right before the NAB Show—sets the course for media and entertainment technology in the year ahead. With digital transformation intensifying, Connect 2019 will create a map to success amid shifts in viewer behavior, the onset of digital-native companies, and rising competition in content creation, curation and distribution. JOIN US IN 2019: https://www.avid.com/connect
October 30, 2018, 6:06 am
John Venzon worked as an editor on The South Park Movie, Storks, and The Lego Batman Movie, and talks about his work in animated feature films, why he wanted to become an editor, and his advice for assistant editors.
October 23, 2018, 4:36 am
Joe Walker has worked as an editor on Arrival, Blade Runner 2049, 12 Years a Slave, and talks about how the editing role is inspired by music, technology, and the history of film.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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