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March 4, 2013, 8:16 am
The Society of Motion Picture and Television Engineers (SMPTE), have announced the creation of a new technology committee, TC-25CSS, dedicated to cinema sound. The committee will work to update SMPTE standards and recommended practices to address opportunities created by the many technical advances since standards last were created, as well as to improve the quality and consistency of cinema sound.
May 30, 2010, 5:16 pm
I’ve just received a copy of Avid Media Composer 5.0 – it’s a bit like Christmas! I’ve had a chance to try some of the big new features – AMA linking to RAW RED media and Canon DSLR clips, but it’s going to take me a while to dig right into the new features – I may even have to read the manual!
May 29, 2010, 5:14 pm
When Action 3D Productions hired an editor to cut the concert film Phish 3D, it made sense that they’d go to Don Wilson's Americana Media. Wilson is an Emmy-winning producer-director-editor whose experience in the industry stretches back to the early days of MTV, when he was cutting promo clips for any number of top-tier acts.
May 28, 2010, 5:13 pm
"This is not Media Composer," says Avid senior product designer Frank Capria. "I could be anywhere. All the media you’re going to see is in Tewksbury. You just clone it." The Avid system is so quick and looks so much like Media Composer that Capria has to explain to the audience that the video he’s editing is actually being edited thousands of miles away and streaming back.
May 27, 2010, 5:13 pm
It’s obvious when talking to Hamilton that he’s as passionate about technology as he is about storytelling. "I love the technology," he says. "My first love is editing a scene—after all, a film is written on the page and rewritten in the edits—but I also love working on intricate visual effects, or building a theatrical sound track."
May 27, 2010, 5:10 pm
Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we’ll do just that with the help of a couple of different AudioSuite plugins that come with Media Composer.
May 27, 2010, 5:09 pm
AppleInsider had an article on May 18, 2010 which was titled "Apple Scaling Final Cut Studio Apps to fit prosumers" which generated a ton of blogosphere panic. Even I was caught up in the rumor mongering here, reacting to a post I’d read on Twitter and then, after reading the AI piece, tweeting about it myself.
May 27, 2010, 5:08 pm
What this seems to suggest is that the hardware barrier is soon to fall. One of the most common criticisms of Avid’s systems in the last few years has been the cost of proprietary hardware, while Final Cut Pro and Premiere have been supporting a wide range of low-cost I/O hardware.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
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