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March 5, 2013, 2:11 pm
Now Avid FX comes bundled free with MC6 and Symphony 6. It is a 3D compositing, titling and effects application that can be used right on the avid timeline or as a standalone application. It integrates broadcast quality text generators, paint, rotoscoping, it has a full suite of tools to create and extrude vector objects, true 3D shapes and animation.
July 26, 2017, 5:19 am
One advantage of Apple equipping the latest MacBook Pro models solely with USB-C is that each port can multi-task. Power, video, and data can all pass through an adapter connected to a single port. For photographers and videographers, this is a bittersweet change: losing the built-in SD card reader on older Mac laptops is awfully inconvenient, but now a single device can handle several tasks.
July 26, 2017, 5:19 am
Check out this making of by French studio Mikros Image about their work on VALERIAN AND THE CITY OF A THOUSAND PLANETS...
July 26, 2017, 5:18 am
Check out the Animation workflow in Maya 2018, we used the animation toolset and shape authoring workflow in Maya to create a character for our internal project Wall of Death. Using both new and recent features such as parallel rig evaluation, pose editor, time editor, and the updated graph editor, bringing characters to life in Maya is faster and more fun.
July 26, 2017, 5:18 am
Way back in 1918, Max Fleischer gave us Out of the Inkwell, a series of shorts featuring Koko the Clown. Koko was an animated character interacting with live action people on screen. Audiences flocked to this rotoscoped novelty. In 1923, Walt Disney turned the idea around when he put Alice, a live action girl, into a cartoon world. Since then, there have been numerous attempts to combine animated characters into live-action films.
July 26, 2017, 5:18 am
The classic sunset shot that closes out the day or the entire narrative of your film is a cinematic staple. Whether you want your characters sitting on the beach, standing on top of a building, or riding off into the sunset, capturing the shot is the first step in the process. Because sunsets are so wildly different from one another, they all need different color grading. Here are a few different ways to color grade your sunset in Premiere Pro and After Effects.
July 26, 2017, 5:18 am
A few days of the Siggraph, SideFx has just put online the 2017 demo tape of the projects realized by the users of Houdini . TV series, pubs, cinema and cinematic games, there are for all tastes.
July 25, 2017, 4:35 pm
Burbank, CA visual post house Picture Shop is propping up its rapidly growing VFX department with the addition of award-winning team Christian Cardona and Buddy Gheen. Cardona joins the ranks as Senior VFX Supervisor, alongside recently promoted VP/Senior VFX Supervisor Adam Avitabile. Gheen comes aboard as Creative Director of VFX. They will be reporting to Executive Vice President of VFX, Tom Kendall.
July 25, 2017, 12:50 pm
RØDE has proven itself time and time again to be a filmmaker-friendly company with its generous My RØDE Reel short film competition prize packages and continual improvements on affordable filmmaking tools. The VideoMic Pro+, announced today, looks to be a continuation of this trend, adding some useful features to its already popular VideoMic Pro.
July 25, 2017, 12:50 pm
The post-Dreamworks Animation career of Jeffrey Katzenberg officially launched last week with a cover story in Variety touting grand plans for his short-form mobile/web video company WndrCo.
July 25, 2017, 12:50 pm
XEffects 3D Video Walls allows you to build single, multiple or complex video walls in Final Cut Pro X. You control the number of panels, the shape, the depth and the material. Position the wall in 3D space adding a depth of field and choose a pre-programmed animation to fly the wall in and out.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
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