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  • Organizational Tips for FCP X

    Organizational Tips for FCP X

    March 8, 2013, 5:44 am
    The beauty of Apple Final Cut Pro X is in its power to organize media. When editors take advantage of these tools, FCP X can prove to be a very fast way to cut. I've covered some of these concepts in previous posts on

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  • Other Postings By Member

    • Offline to Online with Premiere Pro or FCPX
      EDITING

      Offline to Online with Premiere Pro or FCPX

      October 24, 2013, 10:01 am
      Most NLE makers are pushing the ability to edit with native camera media, but there are still plenty of reasons to work in an offline-to-online editing workflow. Both Apple Final Cut Pro X and Adobe Premiere Pro CC make it very easy to do this. Apple Final Cut Pro X Apple built offline/online right into...

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    • iZotope RX 2 Advanced
      EDITING

      iZotope RX 2 Advanced

      October 18, 2013, 4:53 am
      iZotope is known as a company that makes software and hardware, including high-quality plug-ins for mastering, noise reduction and audio restoration. A number of applications come bundled with some of their tools, most notably Sony Sound Forge Pro, Adobe Audition CC and Premiere Pro CC. As with most plug-in developers, iZotope offers a nice family […]

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    • More thoughts about Adobe’s Creative Cloud
      EDITING

      More thoughts about Adobe’s Creative Cloud

      October 12, 2013, 5:24 am
      Unless you’ve been living under a rock, you know that in June Adobe switched its access to software from a licensed ownership to a subscription model. After a year of offering both options – perpetual licenses and subscription – Adobe has decided to go all-in on subscriptions for the latest version of its creative tools, […]

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    • Rampant Design Tools
      EDITING

      Rampant Design Tools

      October 6, 2013, 1:08 pm
      Editors love to play with effects and filters. It’s one of the things that has driven the FCP X market. No matter what NLE you use, filters and transitions are almost always proprietary to that application. You can’t use a Motion template in any other application than Final Cut or Motion. Often the best solution […]

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    • Southeast Creative Summit
      EDITING

      Southeast Creative Summit

      October 3, 2013, 2:02 pm
      Just a quick reminder that the Southeast Creative Summit is just around the corner.  I’ll be involved as part of the upcoming Southeast Creative Summit in Atlanta, October 25-27. It’s a jam-packed agenda put together by the good folks at the Atlanta Cutters Post Production User Group. This will be a solid weekend of workshops, […]

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    • Hawaiki Color
      COLOR

      Hawaiki Color

      September 26, 2013, 7:00 pm
      Color correction using graphical color wheels was introduced to the editing world in the Avid Symphony over a decade ago and adopted by nearly every NLE after that.  Final Cut Pro “legacy” had a two nice color correctors using the color wheel model, so adopters of Final Cut Pro X were disappointed to see the […]

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    • Adobe Premiere Pro CC
      EDITING

      Adobe Premiere Pro CC

      September 18, 2013, 12:44 pm
      Adobe started to receive serious interest from the professional video community with the introduction of Adobe Creative Suite 6 Premiere Pro. Many of these editors were looking for the next generation of nonlinear editing software after Final Cut Pro changed direction. Adobe responded with software that delivered both performance and a familiar look-and-feel. This year […]

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    • Southeast Creative Summit
      EDITING

      Southeast Creative Summit

      September 14, 2013, 1:29 pm
      Time for a momentary break and a quick plug. I’ll be involved as part of the upcoming Southeast Creative Summit in Atlanta, October 25-27. It’s a jam-packed agenda put together by the good folks at the Atlanta Cutters Post Production User Group. This will be a solid weekend of workshops, sessions and presentations, complete with […]

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    • Avid Media Composer 7
      EDITING

      Avid Media Composer 7

      September 6, 2013, 10:36 am
      Avid continues to be the dominant force in television and film editing in spite of being challenged by strong offerings from Apple, Adobe, Grass Valley and others. While it’s not always the flashiest product, Avid’s flagship Media Composer editing application delivers the toolset that professional editors rely on to be productive. Version 7.0 is no […]

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    • FCP X grading styles and tools
      EDITING

      FCP X grading styles and tools

      August 29, 2013, 6:17 pm
      One of the aspects I enjoy about Final Cut Pro X is the wealth of tools and methods for color correction, grading or whatever you want to call the process. There simply is no other NLE on the market with as many built-in and third-party tools for making adjustments to image color and style. I’m […]

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