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March 8, 2013, 5:44 am
The beauty of Apple Final Cut Pro X is in its power to organize media. When editors take advantage of these tools, FCP X can prove to be a very fast way to cut. I've covered some of these concepts in previous posts on
February 15, 2013, 7:56 am
The concept of synchronizing clips by sound seems so obvious in retrospect, but when Bruce Sharpe showed his first version of PluralEyes at a small NAB booth, it struck many as nothing short of magic. The first version was designed to sync multiple consumer and prosumer video cameras by aligning their sound tracks in the [...]
February 9, 2013, 10:40 am
Thunderbolt is the latest protocol for peripherals used by Apple on its computers to carry audio, video, data and power over a single cable. The protocol combines Apple's DisplayPort technology and PCIe into a single connectivity path. The technology can be used to daisy-chain numerous devices, including storage, monitors and broadcast I/O hardware. Thunderbolt ports [...]
February 2, 2013, 4:28 pm
Blackmagic Design's purchase of DaVinci Systems put a world class color grading solution into the hands of every video professional. With Resolve 9, DaVinci sports a better user interface that makes it easy to run, regardless of whether you are an editor, colorist or DIT working on set. DaVinci Resolve 9 comes in two basic...
January 26, 2013, 3:29 pm
The video industry has been moving towards complete file-based workflows, but that doesn't replace all of the functions that traditional videotape recorders served. To bridge the gap, companies such as AJA, Blackmagic Design, Convergent Design, Sound Devices and others had developed solid state recorders for field and studio operation. I recently tested Blackmagic Design's HyperDeck...
January 18, 2013, 9:52 pm
Few films have the potential to be as politically charged as Zero Dark Thirty. Director Kathryn Bigelow (The Hurt Locker, K-19: The Widowmaker) and producer/writer Mark Boal (The Hurt Locker, In the Valley of Elah) have evaded those minefields by focusing on the relentless CIA detective work that led to the finding and killing of...
January 12, 2013, 11:34 am
The 4K buzz seems to be steam-rolling the industry just like stereo3D before it. It's too early to tell whether it will be an immediate issue for editors or not, since 4K delivery requirements are few and far between. Nevertheless, camera and TV-set manufacturers are building important parts of the pipeline. RED Digital Cinema is...
January 5, 2013, 4:14 pm
Undoubtedly this year will continue the trend of fractured market share for edit systems. If you tally up every system in general use, your professional choices include NLE systems from Adobe, Apple, Avid, Autodesk, Boris/Media 100, Dayang, Editshare/Lightworks , Grass Valley, SGO, Sony and Quantel. In most US markets, the split in market dominance boils...
December 22, 2012, 5:22 pm
My past articles on edit suite and facility design have focused on equipment and construction tips. For my last post of 2012, I'll take a look at some layouts that might play into designing your next editing man (or woman) cave. In the linear days, suites used to follow the "bridge of the Enterprise" philosophy...
December 15, 2012, 9:23 pm
With the proliferation of digital video cameras, everyone has been trying to make them look more like film. Assuming that your camera shoots at the right frame rate and offers film-like motion blur and highlight handling, the rest gets down to grain and colorimetry. That's where various software tools and filters come in. A new [...]
December 1, 2012, 4:41 pm
On the same day Apple launched the iPad mini, the fourth generation iPad, a refresh of the iMac line and the addition of a 13" MacBook Pro with Retina display, Apple also quietly released the 10.0.6 version of Final Cut Pro X. By the end of the day, the App Store lit up and the...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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