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  • Organizational Tips for FCP X

    Organizational Tips for FCP X

    March 8, 2013, 5:44 am
    The beauty of Apple Final Cut Pro X is in its power to organize media. When editors take advantage of these tools, FCP X can prove to be a very fast way to cut. I've covered some of these concepts in previous posts on

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  • Other Postings By Member

    • The NLE that wouldn't die
      EDITING

      The NLE that wouldn't die

      November 26, 2012, 9:28 pm
      It's been 18 months since Apple launched Final Cut Pro X and the debate over it continues to rage without let-up. Apple likely has good sales numbers to deem it a success, but if you look around the professional world, with a few exceptions, there has been little or no adoption. Yes, some editors are...

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    • Stocking Stuffers for 2012
      EDITING

      Stocking Stuffers for 2012

      November 17, 2012, 8:54 pm
      The holidays are here and it's time to look at some ideas for that virtual stocking hung by the visual effects fireplace. Here are a few suggestions to spruce up the ole editor's toolkit. EDL-X. As more people take the plunge with Apple Final Cut Pro X, they find that a number of add-ons and...

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    • Blackmagic Cinema Camera post workflows
      EDITING

      Blackmagic Cinema Camera post workflows

      November 12, 2012, 5:07 am
      Digital camera development has been running in high gear for several years outpacing any other portion of our industry. Thanks to a revolution started by RED, Nikon and Canon, videographers are now blessed with a wide range of small, affordable, high-performance imaging systems that have broken us free from the confines of the mundane 2/3"...

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    • Grading through digital bipacks
      EDITING

      Grading through digital bipacks

      November 2, 2012, 10:21 pm
      When you hear someone use the term bipack, you think they are making the word up or just BS'ing you. In fact, bipack refers to an old technique used to create in-camera film effects. Film timers also used the technique to create certain color effects. In modern times, we are really referring to ways that...

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    • Sorenson Squeeze 8.5 and 8.5 Pro
      EDITING

      Sorenson Squeeze 8.5 and 8.5 Pro

      October 25, 2012, 3:14 pm
      For many editors, the preferred video encoding application is Sorenson Squeeze. It's one of the top encoders for both Mac and PC platforms and also comes bundled with Avid Media Composer in its third-party software package. Recently, Sorenson introduced the optional Pro version, which enables the encoding of Avid DNxHD MXF media, as well as...

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    • Red Giant Software Arsenal
      EDITING

      Red Giant Software Arsenal

      October 4, 2012, 10:37 pm
      Thanks to the growth of the internet, laptops and now tablets, the use of physical portfolios and demo reels to show your wares has been increasingly replaced by digital alternatives. The newest of these is Red Giant Software's Arsenal application for the Apple iPad. This is a mobile presentation application designed to present your creative...

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    • Hemingway and Gellhorn
      EDITING

      Hemingway and Gellhorn

      September 22, 2012, 3:50 pm
      Director Philip Kaufman has a talent for telling a good story against the backdrop of history. The Right Stuff (covering the start of the United States' race into space) and The Unbearable Lightness of Being (the 1968 Soviet invasion of Prague) made their marks, but now the latest, Hemingway and Gellhorn continues that streak...

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    • CalibratedQ AVC Intra Encode
      EDITING

      CalibratedQ AVC Intra Encode

      September 14, 2012, 4:48 pm
      Thanks to Apple's product development directions, the current status of all things related to the Final Cut ecosystem has professional editors a bit rattled. One by-product of this is concern over whether it is wise to master final files in one of the ProRes codecs. This concern leaves the door open to other codec options...

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    • Magic Bullet PhotoLooks 2
      EDITING

      Magic Bullet PhotoLooks 2

      September 8, 2012, 11:40 am
      Red Giant Software launched the preset-based "looks" market, when it originally released the browser version of Magic Bullet Looks. Visual effects director and software designer Stu Maschwitz overhauled the original product to create a self-contained color correction and "looks creation" interface, where tools were grouped according to how they fit into the flow from in-front...

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    • Demystifying Color Grading with FCP X
      EDITING

      Demystifying Color Grading with FCP X

      August 10, 2012, 8:21 am
      It's time to dive in deeper and see how Final Cut Pro X can solve your color grading issues. A lot of FCP X fans like to say that Apple rolled Color into FCP X, but that's pretty far from the truth. Some features from Color have counterparts in X, but the two applications are...

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