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March 11, 2013, 7:23 pm
Better audio in your DSLR, like any ENG video camera? We always dreamt about that but nobody has found the ideal solution. Typically, we have 2 options:
1.Separate audio recording.
2.In Cam recording improved by audio mixer.
In both cases there are disadvantages.
BUT, there is a 3rd way...
May 9, 2014, 12:59 am
Half a year after the first “Maison Quérigut” work, I returned to Le pays du Donezan for a second approach. In the beginning, talking with Gil about this series of videos, we accorded to make them seasonal. But when I saw the result of the first one I realized that the following one should be different. Very different. I soon opted to drive it towards documentary field where I feel confident. I had the need to tell something apart from taking good pictures. I needed to tell a little story.
May 6, 2014, 2:57 pm
In march 12, 2013, I presented a what could be my salvation to audio in a DSLR system. In that post I talked about a ETSLAN PA912, a cable that transforms Balanced audio signals to Unbalanced. Then I promised to post some tests. I only published a little sample with the Rhode NTG-2 shotgun microphone. Now, a year later and after a lot of projects, I bring you some more examples with diferent mics and situations.
March 20, 2013, 2:17 pm
In fact, it is not an audio test. It is the shooting of a “low-budget” ad, but it will show some real life situations with the following setup: Panasonic GH3- audio gain at +19, almost all the time. Rhode NTG-2 shotgun mic, with 1 AA battery Rode SM3 Camera Shoe Shock Mount ETS PA912 DSLR cable, a balanced 2 unbalanced transformer. 6×6 room, with closed windows but near a 6 lane street in Barcelona.
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