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September 16, 2008, 3:09 pm
The Creative Arts Primetime Emmy Award Winners were announced Saturday. Check out the list of Nominees and winners for the various editing categories
The Academy of Television Arts and Sciences (ATAS) has awarded Creative Arts Primetime Emmys for program and individual achievements. Below is a list of editors who won as well as those who were nominated.
Outstanding Single-Camera Picture Editing for a Drama Series
Julius Ramsay for Battlestar Galactica (He That Believeth In Me)
Philip Neel, A.C.E. for Boston Legal (Mighty Rogues)
Lynne Willingham, A.C.E. for Breaking Bad (Pilot) WINNER
Scott Boyd A.C.E. for Heroes (Powerless)
Henk Van Eeghen/Robert Florio/Mark J. Goldman/Stephen Semel for
Lost (There's No Place like Home Pt. 1 and 2)
Paul Karasick for Terminator: The Sarah Connor Chronicles (Pilot)
September 28, 2016, 2:35 pm
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX.
September 28, 2016, 4:54 am
I've had some discussions with a few people about the need to try preserve some of the pre-Digital visual effects equipment (optical printers, animation stands, motion control systems, etc) as well as archiving images and other material. This would also apply to miniatures and models.
September 27, 2016, 12:11 pm
In the past two months, Stranger Things has quite literally taken over the world. And in a recent podcast interview, the show's two editors shared some insights into how their work helped shape the show into what it is.
September 27, 2016, 5:55 am
In this free video Pro Tools Expert team member Dan Cooper tests two of the new features in Pro Tools 12.6 by Avid...
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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