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  • AOTG

    Emmy Awards Honour Editors

    September 16, 2008, 3:09 pm
    The Creative Arts Primetime Emmy Award Winners were announced Saturday. Check out the list of Nominees and winners for the various editing categories

    The Academy of Television Arts and Sciences (ATAS) has awarded Creative Arts Primetime Emmys for program and individual achievements. Below is a list of editors who won as well as those who were nominated.




    Outstanding Single-Camera Picture Editing for a Drama Series





    Julius Ramsay for Battlestar Galactica (He That Believeth In Me)


    Philip Neel, A.C.E. for Boston Legal (Mighty Rogues)


    Lynne Willingham, A.C.E. for Breaking Bad (Pilot) WINNER



    Scott Boyd A.C.E. for Heroes (Powerless)


    Henk Van Eeghen/Robert Florio/Mark J. Goldman/Stephen Semel for
    Lost (There's No Place like Home Pt. 1 and 2)


    Paul Karasick for Terminator: The Sarah Connor Chronicles (Pilot)







    Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)





    Steven Rasch, A.C.E. for Curb Your Enthusiasm (The Bat Mitzvah)

    Dean Holland/Dave Rogers for The Office (Goodbye Toby)


    Stuart Bass, A.C.E. for Pushing Daisies (Pie-Lette) WINNER


    Ken Eluto, A.C.E. for 30 Rock (Cooter)

    William Turro for Weeds (A Pool and His Money)











    Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie



    Scott Vickrey, A.C.E. for The Andromeda Strain (Part 1)


    Richard Halladey/Graham Barker for Extras: The Extras Special (Series Finale)


    Melanie Oliver for John Adams: Independence

    Alan Baumgarten A.C.E. for Recount WINNER

    Allan Lee for Tin Man (Part 1)









    Outstanding Picture Editing Of Clip Packages For Talk, Performance,
    Award Or A Reality-Competition Program





    Chuck Workman for 80th Annual Academy Awards (Oscar Show Tribute Sequence)


    Bill DeRonde/Oren Castro for American Idol Episode 733 (David Cook Goes Home) One of Two Winners


    David Timoner for Dancing With The Stars Episode 610 (Head To Head Package)


    Jason Bielski for Jimmy Kimmel Live After The Academy Awards
    (I’m F***ing Ben Affleck)




    James Crowe for Jimmy Kimmel Live 5th Year Anniversary Show (I’m F***ing Matt Damon) One of Two Winners












    Outstanding Picture Editing For A Special (Single Or Multi-Camera)




    Michael Polito/Pi ware/Narumi Inatsugo/Tim Pernieiaro/Mark Stepp for The AFI Life Achievement Award (A Tribute to Al Pacino)


    Gary Bradley for Company (Great Performances)


    Michael D. Shultz/Jim Kelly/Chad Callner for Justin Timberlake: FutureSex/LoveShow Winner


    Mark Stepp/Chester Contaoi/Bill Morris for Movies Rock

    Gary Bradley/Laura Young for We Love Ella! A Tribute To The First Lady Of Song (Great Performances)







    Outstanding Picture Editing For Nonfiction Programming




    Barry A. O’Brien/Debra Light/Marlise Malkames, Editor for AFI’s 100 Years...100 Movies (10th Anniversary Edition)


    Kim Roberts for Autism: The Musical WINNER


    Kelly Coskran (supervising Editor)/Rob Butler for Deadliest Catch (No Mercy)

    Joe Beshenkovsky for This American Life (Escape)


    Tricia Reidy for The War (Pride of Our Nation)


    Paul Barnes for The War (FUBAR)












    Outstanding Picture Editing For Reality Programming




    Steven Escobar/Eric Goldfarb/Julian Gomez/Andy Kozar/Jennifer Nelson/Paul Nielsen/Jacob Parsons for The Amazing Race (Honestly, They Have Witch Powers Or Something)



    Wes Paster, Supervising Editor/Matt Deitrich, Lead Editor/Tenna Guthrie/Phil Stuben/Jason Cherella/Hilary Scratch/Steve Mellon for Extreme Makeover Home Edition (The Hughes Family)





    Jamie Pedroza/Bri Dellinger/Steve Lichtenstein/Andy Robertson/Clark Vogeler/LaRonda Morris/Joe Mastromonaco for Project Runway (En Garde!)



    Brian Barefoot, Supervising/Robert D. Mathews/Chad Bertalotto/Andrew Bolhuis/Evan Mediuch/Steve Frederick/Eric Van Wagenen for Survivor (He’s A Ball Of Goo!)





    Kevin Leffler/Vikash Patel/Marc Clark/Annie Tighe/Steve Lichtenstein/Sue Hoover/Katherine Griffin for Top Chef (First Impressions) WINNER

















    To read more or see the other categories check out the Academy of Television Arts and Sciences webpage




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  • Other Postings By Member

    • AOTG
      VFX

      Frame of Mind: To Blend Real and CG FX, The Osiris

      October 17, 2017, 12:39 pm
      Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and press play.

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    • AOTG
      VFX

      The VFX Magic Behind Spiderman Homecoming

      October 17, 2017, 12:39 pm
      Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.

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    • IT: Kendrick Wallace - Production VFX Producer
      VFX

      IT: Kendrick Wallace - Production VFX Producer

      October 17, 2017, 9:20 am
      In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.

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    • AOTG
      VFX

      Women In VFX

      October 17, 2017, 9:19 am
      Women In VFX, a project sponsored by Charmaine Chan , offers a series of video interviews with women artists, producers, directors and technicians in London studios:

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    • AOTG
      EDITING

      Freelancers Are Sick Of Being Called "Gig Workers"

      October 17, 2017, 9:19 am
      As the freelance economy grows, its denizens want to revise popular understanding about the work they do. Or as Upwork CEO Stephane Kasriel puts it, “There is a feeling that freelancing is about driving Uber cars, and it’s not.”

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    • VFX Supervisor Ben Snow - The Mummy, Iron Man Moth
      VFX

      VFX Supervisor Ben Snow - The Mummy, Iron Man Moth

      October 17, 2017, 4:46 am
      This is Allan McKay. Welcome to Episode 101 with Ben Snow, a VFX Supervisor at ILM. We just did Episode 100 (www.allanmckay.com/100/) and that was epic. Thank you for all of your emails! I always read all the emails, but it takes me a while to respond.

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    • THE FATE OF THE FURIOUS: VFX Breakdown
      VFX

      THE FATE OF THE FURIOUS: VFX Breakdown

      October 17, 2017, 4:46 am
      Pixomondo presents their work on THE FATE OF THE FURIOUS in this short VFX Breakdown...

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    • Lee Percy on Editing The Mountain Between Us
      EDITING

      Lee Percy on Editing The Mountain Between Us

      October 16, 2017, 12:57 pm
      Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.

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    • G.SKILL's memory kit: 32GB DDR4 at 4266MHz!
      EDITING

      G.SKILL's memory kit: 32GB DDR4 at 4266MHz!

      October 16, 2017, 12:17 pm
      The new Trident Z RGB memory kit from G.SKILL doubles the memory over the previous kit from the company, and marks a new milestone as the fastest 32GB RGB memory kit on the market.

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    • AOTG
      EDITING

      Win a $15,000 Edit Suite and More for Your 60-Seco

      October 16, 2017, 9:48 am
      The annual Filmsupply Challenge is one of only a few we know of that specifically rewards editors, and those rewards are pretty sweet, including a complete pro edit bay. The contest itself is very straightforward: You download a free starter kit from the contest site, you are given access to free footage from Filmsupply and music from Musicbed, and you use those assets to create a 60-second spot in the categories of Ad Spec, Trailer, or Title Sequence.

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