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September 22, 2010, 3:44 pm
A new film about the leading editors of today Followed by a discussion with Oscar-winners Christina Innis, A.C.E & Bob Murawski, A.C.E. (The Hurt Locker) and John Refoua, A.C.E. (Avatar)
Invisible Art/Visible Artists 2010
DATE: Sep 21, 2010
Time: 7:00 P.M.
Location: The Ray Stark Family Theatre, SCA 108, George Lucas Building, 900 W. 34th Street, Los Angeles, CA 90007
A new film
about the leading editors of today
Followed by a discussion with
Oscar-winners Christina Innis, A.C.E
& Bob Murawski, A.C.E.
(The Hurt Locker)
and John Refoua, A.C.E. (Avatar)
7:00 P.M. on Tuesday, September 21st
The Ray Stark Family Theatre
George Lucas Building, SCA 108
900 W. 34th Street, Los Angeles, CA
Free admission. Open to all. No RSVP necessary.
"A dynamic way of provoking our film students into discussing the depth of the contributions that editors bring to filmmaking."
- Norman Hollyn, Associate Professor, Editing Track Head, USC School of Cinematic Arts
"Watching the most talented editors speaking about their approach to the most interesting material gives incredible insight into the editorial process."
- Phillip Linson, Vice Dean, Production and Post-production, Director, Sony Digital Arts Center
Senior Filmmaker-In-Residence: Editing, American Film Institute
"What a fantastic opportunity to share the insights of all these wonderful editors! Such a unique view of the craft of editing--it's like having the editors come to school and give a master class. It's just great."
- Pat Jackson, Cinema Department, San Francisco State University
Motion Picture Editors Guild member
"The editors share the invisible secrets of the art, generously bequeathing it to future generations. It should be required viewing in all film schools."
- Julian Semilian, Film Editing Faculty, North Carolina School of the Arts
About Invisible Art/Visible Artists 2010
American Cinema Editors Education Center presents Invisible Art/Visible Artists 2010, a feature documentary film that captures the Academy Award Nominees for Best Editing discussing their art before a full house at the American Cinematheque's Egyptian Theater the day prior to the Academy Awards, moderated by Academy Award-winnner Alan Heim, A.C.E. These distinguished editors (from the films AVATAR, DISTRICT 9, THE HURT LOCKER, INGLOURIOUS BASTERDS, and PRECIOUS) reveal their individualized approaches to storytelling and openly discuss their philosophies, their influences, their visions and, most significantly, their working relationships with their directors.
Following the film, there will be a panel discussion with these top editors:
CHRISTINA INNIS, A.C.E.
ACADEMY AWARD WINNER, THE HURT LOCKER
BOB MURAWSKI, A.C.E.
ACADEMY AWARD WINNER, THE HURT LOCKER
JOHN REFOUA, A.C.E.
ACADEMY AWARD NOMINEE, AVATAR
ALLAN HOLZMAN, A.C.E.
PRODUCER, DIRECTOR, INVISIBLE ART, VISIBLE ARTISTS
The discussion will be moderated by USC Professor Norman Hollyn, featuring the Academy Award nominees from the film. USC graduate students Ryan Woods and Reed Simonsen edited with USC Adjunct Professor Allan Holzman.
Email Address: email@example.com
December 3, 2016, 3:05 pm
Charlie has been at this business for about as long as I have and brings to any discussion about editorial decades of of experience and insight. This discussion went in a few directions and at one point I share a deeply personal story so please forgive me for monopolizing the conversation. We discuss the history of various FCPX updates and briefly go into some of the new features in 10.3.1
December 2, 2016, 5:45 pm
The Academy of Motion Picture Arts and Sciences has released the list of 20 films that are contenders for nominations in the “Visual Effects” category for the 89th Academy Awards.
December 2, 2016, 5:44 pm
At the Sundance Film Festival earlier this year, Jen Lame was having the kind of moment that most filmmakers wait their entire careers for. After lobbying hard to work as an editor on Kenneth Lonergan’s latest drama “Manchester By the Sea,” standing ovations awaited the film she and the writer/director had spent so much time at the editing bay scrutinizing, and as if that weren’t enough, people couldn’t stop talking about “Christine,” the film that her husband Craig Shilowich spent the off-hours writing for years to perfect. It was the kind of buzz that would follow the couple back home to New York, for better or worse.
December 2, 2016, 5:44 pm
Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.
December 2, 2016, 2:48 pm
The Academy of Motion Picture Arts and Sciences has announced the list of twenty films in the running for the Visual Effects Oscar. The Visual Effects Branch will determine which ten films proceed to the bake off. Here is the press release.
December 1, 2016, 1:32 pm
its most basic, semiotics is the study of signs and symbols and their meanings and interpretations. If you want to get a little more complicated, semiotic theory espouses the idea that there’s no actual relationship between the signifier and the signified.
December 1, 2016, 10:25 am
Florian Gellinger explained to us about the work of RISE Visual Effects Studios on CAPTAIN AMERICA: CIVIL WAR a few months ago. He is back today to talk about his work on the new Marvel production, DOCTOR STRANGE.
December 1, 2016, 10:23 am
Last year’s Best Editing field included “Star Wars: The Force Awakens,” but this decade that blockbuster and “The Girl with the Dragon Tattoo” are the only two nominees that were not also Best Picture nominees. The safer bet is to stick with those contenders. Especially until someone actually sees this year’s “Star Wars” film, ‘Rogue One.’ [Nov 29]
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