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August 5, 2008, 1:43 pm
Seminar One: Moderated by Randy Roberts A.C.E. with panelists, Tina Hirsch A.C.E., Maysie Hoy A.C.E., Bonnie Koehler A.C.E., Carol Littleton A.C.E., Stephen Lovejoy A.C.E., and Michael Tronick. This Panel discusses how each of the panelists got their break in film editing. (Edit Fest 2008)
August 5, 2008, 9:42 am
In this segment Dan gives us some great insights into the feature film editorial process. We discuss topics such as what it’s like screening the "first cut" with the director and starting out on the directors cut, bringing the length of IRON MAN down from 3.5 to it’s final running time of 2 hours, exploring variations of the film and reinventing scenes, and something he fondly refers to as "index card death row".
August 3, 2008, 9:39 am
Today we present Part II of my interview with Dan Lebental, film editor of Paramount Pictures and Marvel Entertainment’s, IRON MAN. In this segment Dan talks about his experience cutting on the Avid Media Composer, working with the visual effects team (upwards of 800 people) at ILM and the economics and intricacies of cutting a film with nearly 1000 visual effects shots. We go on to discuss the state of, and need for, industry accepted digital post production workflows. Finally, we talk...
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
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