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March 15, 2013, 4:40 am
Final Cut Pro X is a revolutionary video editing application that makes it possible for beginners and seasoned professionals to achieve stunning results. This five-day*, hands-on course teaches students to perform basic editing functions while becoming familiar with the user interface.
October 21, 2018, 7:31 am
Blackmagic Design recently released a new update to DaVinci Resolve 15. With the latest Resolve 15.1.2 update, several addresses issues and bug fixes are addressed. Resolve 15.1.2 fixes issues where running DaVinci Resolve on case sensitive drive volumes would cause problems in prior versions, and also includes stability improvements for Windows laptops running CUDA acceleration.
October 21, 2018, 7:31 am
Film Courage: You said something earlier on writing something which you are precious about, that at some point there is a letting go process knowing once it’s out of your hands it may be changed?
October 20, 2018, 6:50 am
A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.
October 19, 2018, 12:10 pm
William Goldenberg, ACE, won Oscars for editing Zero Dark Thirty (with Dylan Tichenor, ACE) and for Argo. He received additional Oscar nominations and ACE Eddies for Seabiscuit, The Insider and The Imitation Game. His filmography also includes editing Concussion, Unbroken, Transformers: Age of Extinction, and National Treasure among many others.
October 19, 2018, 12:10 pm
What Is Krush? With its bit crushing and downsampling algorithms, Krush combines the crispy taste of the digital realm with the warmth of its drive stage and analog modelled resonant filters. A modulation section allows you to quickly add extra life to the sound by modulating any parameter.
October 19, 2018, 9:27 am
In this week’s podcast, Russ, Dan and Julian discuss ask whether bug fixes should only be availble to current Pro Tools subscribers, they talk about the choices at the inexpensive end of the monitor market, they share community feedback, and their finds of the week. Also in this week's Podcast, there is an opportunity to get an exclusive discount of an Exponential Audio plug-in, but you have to listen to the podcast to get the discount code!
October 19, 2018, 9:25 am
As the appetite for content grows (and film and television productions continue to send creative teams all over the world to shoot), the ability to get all creatives in one place at one time to collaborate becomes more challenging and more expensive. But it doesn't have to be, thanks to a new collaborative tool: Evercast.
October 19, 2018, 5:37 am
We already have a pretty good idea of what animated shorts are competing in the upcoming Academy Award race for Best Animated Short — the list is here — but with 70-plus films to choose from, the big question is which of the shorts stand out from the pack in terms of artistic and creative excellence.
October 19, 2018, 5:37 am
Everyone needs to add some footstep sound design to their video and film projects at some point. Adding foley sound effects can bring more convincing realism to your work, and using sound design effectively can help you guide your audience’s attention and enhance certain aspects of your scene.
October 19, 2018, 5:37 am
DaVinci Resolve is quickly becoming the hottest NLE on the market, which isn’t surprising since you can download a copy for free with access to 90 percent of its features. However, while most free versions of programs like this offer a simplified form of the premium version, DaVinci Resolve does not. As a result, loading up the software for the first time can be very daunting.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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