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  • AOTG

    Review: Red Giant PluralEyes 3.1.1

    March 15, 2013, 9:56 am
    If you follow post-production news at all, then you’re probably aware of (and may have even tried out) Red Giant's PluralEyes 3. Automatically syncing multiple cameras and audio tracks, it might be one of the single most useful technologies to ever come along in post-production. The product saw a big upgrade with version 3.

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  • Other Postings By Member

    • AOTG
      VFX

      Outlaw King VFX Breakdown

      December 11, 2018, 10:25 am
      Let’s made a tour in the 14th century to discover the various armies and environments created by Method Studios on OUTLAW KING...

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    • Adobe adds ProRes export support on Windows
      EDITING

      Adobe adds ProRes export support on Windows

      December 11, 2018, 6:11 am
      Today may very well be seen as a seminal moment in post-production as Adobe announced ProRes encode and export support on the Windows platform. Check your Creative Cloud app as the update is rolling out.

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    • Pixar and the Craft of Storytelling
      EDITING

      Pixar and the Craft of Storytelling

      December 11, 2018, 6:11 am
      20 movies produced. 19 movies #1 at the box office. Worldwide B.O. gross $13.3 billion. Average B.O. per film: $663M by far the highest average per film of any studio in Hollywood history.

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    • AOTG
      VFX

      Crazy Rich Asians VFX

      December 11, 2018, 6:10 am
      Pixomondo presents their invisible work on CRAZY RICH ASIANS...

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    • Premiere adds Apple ProRes export for Windows
      EDITING

      Premiere adds Apple ProRes export for Windows

      December 11, 2018, 6:10 am
      Premiere Pro CC 13.0.2 adds Apple ProRes export support for Windows. Adobe Premiere Pro CC 13.0.2 update has added ProRes export support for Windows users.

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    • AOTG
      VFX

      Creating the Kessel Run ILM

      December 11, 2018, 6:10 am
      Industrial Light & Magic presents the Kessel Run sequence on SOLO – A STAR WARS STORY...

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    • AOTG
      VFX

      Next Step Hologram

      December 11, 2018, 6:10 am
      With the dawn of AI and the rise of social media, technology is scarier — and more exciting — than ever. Here’s how it’s changing music, TV, sports and more

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    • AOTG
      VFX

      Can Special Effects be Special Again?

      December 10, 2018, 1:18 pm
      “You’ll believe a man can fly.” So proclaimed billboards and posters across the nation in 1978, in anticipation of the December release of Richard Donner’s Superman — The Movie. It wasn’t an idle promise. Although the Man of Steel had been depicted in numerous TV shows and cartoons over the years, Donner’s film vowed something special: It would convince us that what we were seeing was actually happening. And the visual effects did, indeed, prove to be remarkable: Aided by a clever front projection technique developed by inventor Zoran Perisic, as well as star Christopher Reeve’s ability to move the way an actual airplane might, Superman set new standards for what could be accomplished onscreen.

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    • AOTG
      VFX

      Mortal Engines: VFX Breakdown

      December 10, 2018, 9:51 am
      Have a look at the work of Weta Digital on MORTAL ENGINES in this interactive VFX Breakdown...

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    • AOTG
      VFX

      Widows Lars Anderson, VFX Supervisor

      December 10, 2018, 9:51 am
      Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.

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