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  • Final Cut Pro X versus Premiere Pro CS6

    Final Cut Pro X versus Premiere Pro CS6

    March 16, 2013, 4:30 pm
    The struggle within most shops that invested in Apple's Final Cut Pro is whether to stay put a while longer, adopt Final Cut Pro X or cut the cord and move on. For many this means shifting to the Adobe Production Premium bundle - part of Creative Suite. Most of the editors and facilities in [...]

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  • Other Postings By Member

    • Stocking Stuffers 2017
      EDITING

      Stocking Stuffers 2017

      December 9, 2017, 5:17 am
      It’s holiday time once again. For many editors that means it’s time to gift themselves with some new tools and toys to speed their workflows or just make the coming year more fun! Here are some products to consider. Just like the tiny house craze, many editors are opting for their laptops as their main […]

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    • Audio Splits and Stems in Premiere Pro Revisited
      SOUND

      Audio Splits and Stems in Premiere Pro Revisited

      December 2, 2017, 3:29 pm
      Creating multichannel, “split-track” master exports of your final sequences is something that should be a standard step in all of your productions. It’s often a deliverable requirement and having such a file makes later revisions or derivative projects much easier to produce. If you are a Final Cut Pro X user, the “audio lanes” feature […]

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    • Avid Media Composer | First
      EDITING

      Avid Media Composer | First

      November 17, 2017, 6:49 pm
      They’ve teased us for two years, but now it’s finally out. Avid Technology has released its free nonlinear editing application, Media Composer | First. This is not dumbed-down, teaser software, but rather a partially-restricted version of the full-fledged Media Composer software and built upon the same code. With that comes an inherent level of complexity, […]

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    • Suburbicon
      EDITING

      Suburbicon

      November 12, 2017, 7:39 am
      George Clooney’s latest film, Suburbicon, originated over a decade ago as a screenplay by Joel and Ethan Coen. Clooney picked it up when the Coens decided not to produce the film themselves. Clooney and writing partner Grant Heslov (The Monuments Men, The Ides of March, Good Night, and Good Luck), rewrote it as taking place […]

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    • Mindhunter
      EDITING

      Mindhunter

      November 5, 2017, 6:54 am
      The investigation of crime is a film topic with which David Fincher is very familiar. He returns to this genre in the new Netflix series, Mindhunter, which is executive produced by Fincher and Charlize Theron. The series is the story of the FBI’s Behavioral Science Unit and how it became an elite profiling team, known […]

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    • 6 Below
      EDITING

      6 Below

      October 28, 2017, 5:00 am
      From IMAX to stereo3D, theaters have invested in various technologies to entice viewers and increase ticket sales. With a tip of the hat to the past, Barco has developed a new ultrawide, 3-screen digital projection system, which is a similar concept to Cinerama film theaters from the 1950s. But modern 6K-capable digital cinema cameras make […]

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    • Sound Forge Pro Mac 3
      SOUND

      Sound Forge Pro Mac 3

      October 21, 2017, 6:51 am
      There are plenty of modern tools that deal with audio, but sometimes you need a product with a very narrow focus to do the job without compromise. That’s where Sound Forge Pro fits in. Originally part of Sonic Foundry’s software development, the product, along with its siblings Vegas Pro and Acid, migrated to Sony Creative […]

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    • SpeedScriber
      EDITING

      SpeedScriber

      October 15, 2017, 4:30 pm
      Script-based video editing started with Ediflex. But, it really came into its own when Avid created script integration as a way to cut dialogue-driven stories, like feature films, in Media Composer. The key ingredient is a written script or a transcription of the spoken audio. This is easy with a feature that’s been acted according […]

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    • A Light Footprint
      EDITING

      A Light Footprint

      September 23, 2017, 3:34 pm
      When I started video editing, the norm was an edit suite with three large quadraplex (2”) videotape recorders, video switcher, audio mixer, B&W graphics camera(s) for titles, and a computer-assisted, timecode-based edit controller. This was generally considered  an “online edit suite”, but in many markets, this was both “offline” (creative cutting) and “online” (finishing). Not […]

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    • Adobe’s Late-2017 Creative Cloud Updates
      EDITING

      Adobe’s Late-2017 Creative Cloud Updates

      September 15, 2017, 4:06 am
      According to Cisco, 82% of internet traffic will be video by 2021. Adobe believes over 50% of that will be produced video and not just simple user content. This means producers will be expected to produce more – working faster and smarter. In the newest Creative Cloud update, Adobe has focused on just such workflow […]

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