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  • Final Cut Pro X versus Premiere Pro CS6

    Final Cut Pro X versus Premiere Pro CS6

    March 16, 2013, 4:30 pm
    The struggle within most shops that invested in Apple's Final Cut Pro is whether to stay put a while longer, adopt Final Cut Pro X or cut the cord and move on. For many this means shifting to the Adobe Production Premium bundle - part of Creative Suite. Most of the editors and facilities in [...]

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  • Other Postings By Member

    • Hawaiki AutoGrade
      COLOR

      Hawaiki AutoGrade

      July 13, 2018, 6:42 am
      The color correction tools in Final Cut Pro X are nice. Adobe’s Lumetri controls make grading intuitive. But sometimes you just want to click a few buttons and be happy with the results. That’s where AutoGrade from Hawaiki comes in. AutoGrade is a full-featured color correction plug-in that runs within Final Cut Pro X, Motion, […]

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    • More about ProRes RAW
      EDITING

      More about ProRes RAW

      July 6, 2018, 6:37 am
      A few weeks ago I wrote a two-part post – HDR and RAW Demystified. In the second part, I covered Apple’s new ProRes RAW codec. I still see a lot of misinformation on the web about what exactly this is, so I felt it was worth an additional post. Think of this post as an […]

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    • Luca Visual FX builds Mystery & Suspense
      VFX

      Luca Visual FX builds Mystery & Suspense

      June 29, 2018, 5:55 am
      For most editors, creating custom music scores tends to fall into the “above my pay grade” category. If you are a whizz with GarageBand or Logic Pro X, then you might dip into Apple’s loop resources. But most commercials and corporate videos are easily serviced by the myriad of stock music sites, like Premium Beat […]

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    • HDR and RAW Demystified, Part 2
      EDITING

      HDR and RAW Demystified, Part 2

      June 22, 2018, 6:21 am
      (Part 1 of this series is linked here.) One of the surprises of NAB 2018 was the announcement of Apple ProRes RAW. This brought camera raw video to the forefront for many who had previously discounted it. To understand the ‘what’ and ‘why’ about raw, we first have to understand camera sensors. For quite some […]

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    • HDR and RAW Demystified, Part 1
      EDITING

      HDR and RAW Demystified, Part 1

      June 14, 2018, 4:26 pm
      Two buzzwords have been the highlight of many tech shows within this past year – HDR and RAW. In this first part, I will attempt to clarify some of the concepts surrounding video signals, including High Dynamic Range (HDR). In part 2, I’ll cover more about camera raw recordings. Color space Four things define the […]

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    • Wild Wild Country
      EDITING

      Wild Wild Country

      June 9, 2018, 9:09 am
      Sometimes real life is far stranger than fiction. Such is the tale of the Rajneeshees – disciples of the Indian guru Bhagwan Shree Rajneesh – who moved to Wasco County, Oregon in the 1980s. Their goal was to establish a self-contained, sustainable, utopian community of spiritual followers, but the story quickly took a dark turn. […]

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    • Editing the FX Series Atlanta
      EDITING

      Editing the FX Series Atlanta

      June 2, 2018, 9:48 am
      Atlanta just wrapped its second season on the FX Network. The brainchild of actor/writer/producer/director Donald Glover, Atlanta is the story of Earn Marks, a Princeton drop-out who returns home to Atlanta, where he decides to manage his cousin’s rap career. The show is very textural and plot is secondary. It loosely follows Earn and the […]

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    • Premiere Pro Multicam Editing
      EDITING

      Premiere Pro Multicam Editing

      May 14, 2018, 6:52 am
      Over the years, a lot of the projects that I’ve edited have been based on real-person interviews. This includes documentaries, commercials, and corporate video. As the cost of camera gear has come down and DSLRs became capable of delivering quality video, interview-based production now almost always utilizes multiple cameras. Directors will typically record these sections […]

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    • Audio Mixing with Premiere Pro
      SOUND

      Audio Mixing with Premiere Pro

      May 6, 2018, 7:51 am
      When budgets permit and project needs dictate, I will send my mixes out-of-house to one of a few regular mixers. Typically that means sending them an OMF or AAF to mix in Pro Tools. Then I get the mix and split-tracks back, drop them into my Premiere Pro timeline, and generate master files. On the […]

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    • FCPX Color Wheels Take 2
      EDITING

      FCPX Color Wheels Take 2

      April 22, 2018, 3:46 pm
      Prior to version 10.4, the color correction tools within Final Cut Pro X were very basic. You could get a lot of work done with the color board, but it just didn’t offer tools competitive with other NLEs – not to mention color plug-ins or a dedicated grading app like DaVinci Resolve. With the release […]

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