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  • Film Arts Foundation

    Film Arts Foundation

    August 1, 2008, 3:25 pm
    United States of America

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  • Other Postings By Member

    • AOTG
      EDITING

      Road Trip to Avid Video

      March 20, 2009, 12:31 pm
      Frank Capria has been at the forefront of digital content creation technologies since its earliest beginnings. New England based Capria was one of the first adopters of digital editing on the Avid Media Composer upon the systems release in 1989. His credits include work on landmark PBS series including, Eyes on the Prize, Frontline, Nova and American Experience. In 2001 Frank went on to found Kingpin Interactive, a New Media services company, which created award winning programming, websites...

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    • AOTG
      EDITING

      Time Stands Still for 'Watchmen' Editor

      March 19, 2009, 12:30 pm
      When Editor William Hoy, ACE, re-teamed with Director Zack Snyder for Watchmen, the two knew they were embarking on a project with challenges tougher even than those they faced on their previous outing, the epic 300. While that graphic-novel-based feature melded CGI, post-heavy speed changes and virtual camera moves, Watchmen would also have its share of digital set extensions, postproduction "camera effects" and CGI work. And it would have a very bizarre group of superheroes whose behavior...

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    • That Post Show
      EDITING

      That Post Show

      March 18, 2009, 12:29 pm
      We've added That Post Show to our Podcast section. You can go there to link to it or simply follow our link.

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    • AOTG
      EDITING

      Editors Talk Coming

      March 16, 2009, 12:27 pm
      The Editors Lounge and Alpha Dogs will be putting on a special event. The panel with cover editing Film and Reality TV as well as Online Editing. To take part in the event which will occur on March 27th at 6:30PM at Alpha Dogs in LA.

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    • Quicktime Conundrum, Part 2: Solved by our Readers
      EDITING

      Quicktime Conundrum, Part 2: Solved by our Readers

      March 13, 2009, 12:26 pm
      A couple of great suggestions for creating flawless H.264 Quicktime—and Flash!—movies popped up in the comments section of my last article. They deserve their own article. Reader Brandon Cory suggests that exporting a Quicktime reference movie from Final Cut Pro in the Animation codec and then running that through Compressor’s H.264 encoder should retain the proper gamma settings.

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    • The Quicktime Conundrum pt. 1
      EDITING

      The Quicktime Conundrum pt. 1

      March 13, 2009, 12:25 pm
      There’s nothing like waking up in the morning and realizing that your chief marketing tool is probably driving away more clients than it’s attracting. I both love, and hate, Quicktime. Flash is the universally accepted method of viewing video on the web but it doesn’t seem to be an easy or cost-effective tool for those of us who want to manage our own showreel web sites.

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    • AOTG
      EDITING

      Avid Enters the Third Dimension

      March 12, 2009, 12:23 pm
      With the release March 2 of software versions of Media Composer 3.5 and Symphony 3.5, Avid Technology, Inc. has announced an all-new open architecture that will ultimately facilitate a host of new workflows for file-based cameras, in addition to new Stereoscopic 3-D capabilities, better integration with ProTools and the long-awaited "death of the dongle key." The company has also taken the opportunity provided by this new release to add another group of new features and performance...

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    • AOTG
      EDITING

      Avid Unveils HD News Solution

      March 10, 2009, 12:23 pm
      Avid today unveiled an end-to-end HD news solution that enables broadcasters to produce HD programming more cost-effectively. With this powerful solution, broadcasters can easily acquire, edit, network, manage assets, playback and control functionality of Sony XDCAM HD (LongGoP HD MPEG2) content, with a workflow designed to deliver significant time, storage and bandwidth savings.

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    • AOTG
      EDITING

      One Movie, Two Editors, Three Dimensions

      March 9, 2009, 12:21 pm
      You feel as a viewer that you’re inside the movie," says Joyce Arrastia, describing the new, three-dimensional film Monsters vs. Aliens from DreamWorks Animation and Paramount Pictures, which she and Eric Dapkewicz edited. "Rather than feeling like the characters are popping out of the screen, you feel like you are sitting in their fantasy world."

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    • AOTG
      EDITING

      Four Short Conversations About Editing

      March 9, 2009, 12:21 pm
      Future Media Concepts thinks it has an idea. The national training center concentrates on prepping future and current users of digital media—the most popular classes covering, of course, the top NLE applications from Apple and Avid, but there’s more on many of the other products you’d imagine it’s useful to learn: Adobe Photoshop and After Effects, Autodesk 3ds Max and Maya, sound design, website design and development and more.

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