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  • AOTG

    My Post House: SFedit

    September 23, 2010, 10:01 am
    John Coen, founder of SFedit, has spent the last 12 years transforming his facility into what it is today: the full-service production studio that high-profile clients, from major networks to global corporations, trust to deliver cutting-edge quality to any project.

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  • Other Postings By Member

    • AOTG
      EDITING

      Foreign language editing using SRT files by Timoth

      July 27, 2020, 4:43 pm
      My new film The Right Girls is coming out soon. It is about three transgender women who were part of the migrant caravan coming up from Central America during the run-up to the 2018 midterms. I shot the entire film in Spanish using translators or google translate on my phone. Journalists and filmmakers do this all the time working abroad. The real discovery came in post-production.

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    • AOTG
      VFX

      Master natural environment creation for visual eff

      July 27, 2020, 1:07 pm
      The Gnomon Workshop has released Natural Environment Creation Techniques, a new workshop on creating large-scale environments for visual effects projects in Clarisse iFX, Houdini and Terragen.

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    • AOTG
      ANIMATION

      Foundry ships Modo 14.1

      July 27, 2020, 1:07 pm
      Foundry has shipped Modo 14.1, the latest version of its 3D modelling, animation and rendering software, and the second of the three linked releases that will form the Modo 14 Series.

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    • AOTG
      VFX

      How you can implement a VFX workflow completely in

      July 27, 2020, 1:07 pm
      With so many of us are now working remotely, there are plenty of new ways to think about how VFX production can occur. You might already be familiar, for example, with Conductor Technologies and its cloud rendering solutions.

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    • AOTG
      VFX

      CURSED: Main Titles by Momoco

      July 24, 2020, 1:33 pm
      London based studio Momoco presents their work on the main title for the Netflix series, CURSED...

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    • AOTG
      VFX

      Weta Digital Streamliner Launches Virtual producti

      July 24, 2020, 1:33 pm
      New Zealand’s Weta Digital, Streamliner Productions and Avalon Studios have announced a new LED-stage virtual production service, based in Wellington. The service brings together live stage expertise and expert screen production capability to offer a new production methodology. The recent growth in real-time visual effects capabilities along with the health and safety benefits of working in New Zealand prompted the three elite players to put together a ready-to-use package for productions of all sizes.

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    • AOTG
      EDITING

      'Zootopia' editor Fabienne Rawley shares her mantr

      July 24, 2020, 1:32 pm
      Animation Masters Summit 2020 is a boon to the industry and animation enthusiasts indeed. With amazing talents talking to the audiences through virtual conferences, the sessions everyday only keep getting better. Day three of AMS 2020 started with an informative session with Walt Disney editor Fabienne Rawley.

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    • AOTG
      VFX

      THE OLD GUARD: Sara Bennett - Overall VFX Supervis

      July 23, 2020, 5:06 pm
      In 2018, Sara Bennett explained the work of Milk Visual Effects on ADRIFT. She comes back today to tell us about her work as Overall VFX Supervisor on the Netflix movie, THE OLD GUARD...

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    • AOTG
      VFX

      Webinar: Boris FX: Tricks to Great Images with Opt

      July 23, 2020, 5:06 pm
      Today, July 23, 2020 at 12:00 pm PDT | 3:00 you can get an inside look at the new Boris FX Optics for Photoshop and learn how to build stunning effect stacks, create cinematic looks, and more.

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    • AOTG
      VFX

      How Iron Man's VFX Evolved Over 11 Years

      July 23, 2020, 1:29 pm
      If you look at Iron Man's first suit, the Mark 1, and compare it to the hero's nanotech suit from "Avengers: Infinity War" and "Avengers: Endgame," a lot has changed, but it's not just the technology in the world of the Marvel Cinematic Universe. Animation tech has also evolved in the real world to make this suit possible on the big screen. We spoke with some of the VFX artists who worked on Iron Man’s suit over the past 11 years including Industrial Light & Magic, Weta Digital, Cinesite/Trixter, The Embassy, and Framestore to find out what challenges they faced along the way and how they were able to make the suit look so real.

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