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  • AOTG

    My Post House: SFedit

    September 23, 2010, 10:01 am
    John Coen, founder of SFedit, has spent the last 12 years transforming his facility into what it is today: the full-service production studio that high-profile clients, from major networks to global corporations, trust to deliver cutting-edge quality to any project.

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  • Other Postings By Member

    • AOTG
      VFX

      Red Giant Assembles VFX Suite for AE

      June 19, 2019, 6:00 am
      Red Giant has announced VFX Suite, an all-new set of keying, tracking, cleanup and visual effects compositing tools within Adobe After Effects.

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    • Peter Weir Talks Psychology of Sound
      SOUND

      Peter Weir Talks Psychology of Sound

      June 19, 2019, 6:00 am
      I was fortunate enough to sit down with the 6-time Academy Award nominated Australian filmmaker Peter Weir, director, writer and producer of films such as Picnic at Hanging Rock, Dead Poets Society and Master...

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    • AOTG
      VFX

      King of the Monsters VFX Supervisor Interview

      June 18, 2019, 12:56 pm
      In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.

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    • AOTG
      SOUND

      SIGGRAPH 2019 Announces Exclusive ‘Making Of’

      June 18, 2019, 6:16 am
      Oscar winners ‘Spider-Man: Into the Spider-Verse’ and ‘First Man,’ ‘Stranger Things,’ ‘Avengers: Endgame,’ ‘Toy Story 4’ and ‘Game of Thrones’ among expansive slate of planned feature film, streaming, games and VR presentations.

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    • How ‘Umbrella Academy’ VFX Supervisors Brought
      VFX

      How ‘Umbrella Academy’ VFX Supervisors Brought

      June 18, 2019, 6:16 am
      'The Umbrella Academy' VFX Supervisors explain how a talking chimpanzee was brought to life for Netflix superhero series.

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    • AOTG
      VFX

      VFX artists reflect on the Star Wars Prequels

      June 18, 2019, 6:16 am
      No matter whether your memories of George Lucas' Star Wars prequels are fond or furious, there's no denying that, at the time that films were released, their cutting-edge visual effects were unlike anything else out there--but how do they hold up today? It's a question that the VFX experts at CorridorCrew take the time to answer.

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    • how one VFX artist is using Adobe’s Content-Awar
      VFX

      how one VFX artist is using Adobe’s Content-Awar

      June 18, 2019, 6:16 am
      It’s been a few months since Adobe officially launched its Content-Aware Fill for video feature in After Effects. VFX artists will of course already be familiar with the need to remove unwanted objects from scenes; Content-Aware Fill is designed to do this somewhat automatically, as it does in Photoshop, but for moving images.

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    • AOTG
      SOUND

      Exploring the Sound Design of Harry Potter

      June 18, 2019, 6:15 am
      If there were some sort of cliché police, they'd assign a dedicated task force to the phrase: "Sound is crucial to the movie-going experience."

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    • AOTG
      VFX

      Corona Renderer 4 Released for Cinema 4D

      June 18, 2019, 6:15 am
      Chaos Czech has released its second major update in two weeks, bringing the power of one-click caustics to Cinema 4D. Now, artists and designers can render lighting effects from surfaces like glass and water with even more speed and accuracy, filling a major void in stills and animations.

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    • Autodesk dévoile 3ds Max 2020.1
      VFX

      Autodesk dévoile 3ds Max 2020.1

      June 17, 2019, 5:52 am
      Autodesk unveils the 2020.1 version of 3ds Max . An update focused on the improvement of the workflow via some modernized tools.

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