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  • AOTG

    Canadian Gemini Award Nominees

    October 1, 2008, 5:42 pm
    The Gemini Awards have annnounced their nominees for editing. These awards honour the best work in Canadian television.
    The Gemini Awards have been announced. Below is a list of editors who have been nominated and the categories they have been nominated in.





    Best Picture Editing in a Comedy, Variety or Performing Arts Program or Series




    Keith Bradley for Barenaked East Coast Music!


    Yves Dion for Cowboy Junkies: Trinity Revisited


    Allan MacLean, Miles Davren for Rick Mercer Report (Episode 12)



    Vanda Schmockel for Corner Gas (Contagious Fortune)


    Nico Stagias for Christopher House: Ahead of the Curve






    Best Picture Editing in a Documentary Program or Series



    Roderick Deogrades for 100 Films & A Funeral



    Carmen Pollard for Citizen Sam


    Geoff Rayes for Lives That Changed the World


    Gil T?Štreault for Battle of the Bag


    Tim Wanlin for True Pulp Murder (99 Bottles of Beer)



    Howard Wirth for Hunting the Predators





    Best Picture Editing in a Dramatic Program or Series



    James Bredin for Victor: The Victor Davis Story


    Teresa De Luca for Durham County (What Lies Beneath)



    Christopher Donaldson for The Border (Grave Concern)


    Jackie Dzuba for The Englishman's Boy


    Lisa Grootenboer for The Tudors (Episode 110)







    Best Picture Editing in an Information Program or Series




    Andrew Adolphus for Party Mamas (Emily)


    Joshua Eady for Departures (India: Quest for Himalays)


    Avi Lev for the fifth estate (Brian Mulroney: The Unauthorized Chapter)


    Jacques Milette for Project X (Memory)



    Glenn Sakatch for At the End of My Leash (Pretty in Pink)










    To read more or see the other categories check out the Gemini Awards website.


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  • Other Postings By Member

    • AOTG
      VFX

      How 'Rogue One' Recreated Grand Moff Tarkin

      February 21, 2017, 1:34 pm
      Industrial Light & Magic used "Rogue One: A Star Wars Story" to push the boundaries of visual effects, especially in the area of digital humans. Design FX dives into the incredible techniques used to recreate one of the Star Wars universe's most terrifying figures, Grand Moff Tarkin.

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    • How to Choose the Right Codec
      EDITING

      How to Choose the Right Codec

      February 21, 2017, 1:34 pm
      By the end of this article, you will be able to pick the best codec for you on each project. My goal is to empower you to make your own informed decisions about codecs, instead of relying on what worked for someone else.

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    • AOTG
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      Trippy in-camera VFX + Neil deGrasse Tyson

      February 21, 2017, 10:14 am
      Toros Köse created mesmerizing visuals to accompany some of Neil deGrasse Tyson's thought-provoking ideas. The result, Into the Bright Unknown, is a nice way to do a quick reset of your priorities and worries.

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    • AOTG
      VFX

      Deluxe Names Craig Zerouni Head of Technology, VFX

      February 21, 2017, 6:23 am
      LOS ANGELES -- Deluxe has named longtime media technology executive Craig Zerouni Head of Technology, Deluxe Visual Effects (VFX), to drive the technology vision for the global VFX production environment. In this role Zerouni will focus on continuing to unify software development and systems architecture across Deluxe's Method studios in Los Angeles, Vancouver, New York, and India, and its Iloura studios in Sydney and Melbourne, as well as Deluxe VR, based in Los Angeles, to integrate and expand global production capacity.

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    • [Review] Oscar Nominated Shorts: ‘Piper’
      ANIMATION

      [Review] Oscar Nominated Shorts: ‘Piper’

      February 21, 2017, 6:23 am
      Those of you who do not know me well might not know I live for the ocean. There is nothing in life I love more than being in the ocean and swimming to my little heart’s content. Unfortunately, I live in the land-locked state of Utah, which means I must get my ocean fixes, outside of a rare vacation, from the movies. For example, I loved Moana and Finding Dory this year partly because of the sumptuous ocean scenery throughout both films.

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    • New Mac Pro release date rumours UK
      EDITING

      New Mac Pro release date rumours UK

      February 21, 2017, 6:23 am
      When will Apple launch a new Mac Pro? March 2017 now looks most likely, although Tim Cook has been dropping some worrying hints... As Apple announces WWDC 2017, we round up all the rumours of a new Mac Pro for 2017: the new Mac Pro's release date, price, tech specs, design changes and new features

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    • ROGUE ONE - Recreating Tarkin by ILM
      VFX

      ROGUE ONE - Recreating Tarkin by ILM

      February 21, 2017, 6:21 am
      Here is how Industrial Light & Magic recreated Tarkin for ROGUE ONE – A STAR WARS STORY...

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    • AOTG
      SOUND

      2017 MPSE Golden Reel Award Video

      February 21, 2017, 6:20 am
      Taking you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

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    • Greyscale Gorilla - Make Mornings Suck Less
      VFX

      Greyscale Gorilla - Make Mornings Suck Less

      February 20, 2017, 1:44 pm
      Hopefully, you’ve had your coffee. In this episode, we talk about our morning routines and the odd habits we’ve picked up that help us get our day started.

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    • The Sounds of Violence
      SOUND

      The Sounds of Violence

      February 20, 2017, 1:44 pm
      art of the reason David Fincher’s Fight Club has become one of the most talked-about films of the last 20 years is because it is a full-on assault to your senses. It doesn’t just tell its story, it makes you feel it through frenetic and highly-stylized visuals teamed with innovative, unexpected, and equally-powerful sound design. The movie affects you like a drug, it gets your heart racing, your skin tingling, it alters your perceptions of reality in a way that is simultaneously disorienting and captivating. Visuals can do this on their own to a degree, but if a film really wants to get inside a person, if it really wants to leave a lasting impression, the sound has to be there too, creating its own complimentary but distinct reality to layer upon that created by the visuals, resulting in a multi-dimensional sensory experience that resonates much longer in our memories.

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