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  • AOTG

    Dann Cahn - Archive Interview Part 5 of 11

    September 26, 2010, 12:01 pm
    Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...




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  • Other Postings By Member

    • 2017 Cinema Audio Society Awards winners
      SOUND

      2017 Cinema Audio Society Awards winners

      February 19, 2017, 5:51 am
      The 53rd annual Cinema Audio Society Awards were presented on Feb. 18 at the Omni Hotel in Los Angeles. During a fun-filled night hosted by Elayne Boosler, seven competitive prizes were handed out and that roster of champs detailed below. In addition, a lifetime achievement honor was given to production mixer John Pritchett while Jon Favreau got the filmmaker award.

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    • AOTG
      EDITING

      Clip Mixer/Rubber Band/keyframe tips in Premiere

      February 19, 2017, 5:51 am
      You may not know that changing clip volume is something that takes place in three different places: the clip keyframes, the Effects Control Panel and the Clip Mixer.

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    • AOTG
      VFX

      How ‘Doctor Strange’ VFX Brought Magic To Scre

      February 18, 2017, 4:42 pm
      Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.

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    • DOCTOR STRANGE: VFX Making of by BBC Click
      VFX

      DOCTOR STRANGE: VFX Making of by BBC Click

      February 18, 2017, 4:42 pm
      Excellent video by BBC Click with VFX Supervisor Mark Bakowski of ILM London about the great final sequence in Hong Kong of DOCTOR STRANGE...

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    • V-Ray 3.5 for 3ds Max Release
      ANIMATION

      V-Ray 3.5 for 3ds Max Release

      February 18, 2017, 9:31 am
      V-Ray 3.5 for 3ds Max Release Webinar.

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    • AOTG
      VFX

      Integrating VFX and Stop-Motion

      February 17, 2017, 7:11 pm
      As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.

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    • ‘La La Land’: Bridged Fantasy and Reality with
      SOUND

      ‘La La Land’: Bridged Fantasy and Reality with

      February 17, 2017, 1:49 pm
      The first Oscar-nominated female sound editing team took inspiration from "Boogie Nights" and "Mean Streets."

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    • 'La La Land' Composer Justin Hurwitz
      SOUND

      'La La Land' Composer Justin Hurwitz

      February 17, 2017, 1:49 pm
      “There were so many moving parts, that the challenge was to just keep everything in check and to keep my eye on a million things at the same time," music supervisor Steven Gizicki told THR. "I absolutely loved being part of this film and being part of the firm belief in the vision of what Damien [Chazelle] wanted to do, and going to work every day for the last two years and accomplish that is amazing.”

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    • Guide To MPSE Golden Reel Awards for Sound Editing
      SOUND

      Guide To MPSE Golden Reel Awards for Sound Editing

      February 17, 2017, 1:49 pm
      Arrival, Hacksaw Ridge and Rogue One: A Star Wars Story lead the MPSE feature film competition with three nominations apiece, in the categories for dialogue/ADR, effects/Foley and music.

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    • AOTG
      VFX

      VFX Supervisor On LAIKA’s Major Innovations

      February 17, 2017, 10:49 am
      9In scooping a visual effects Oscar nomination, Travis Knight’s Kubo and the Two Strings became the first animated film to do so since 1993’s The Nightmare Before Christmas—a recognition due, in part, to the work of visual effects supervisor Steve Emerson, who also this month received the VES Award for Outstanding Visual Effects in an Animated Feature, alongside Knight, producer Arianne Sutner, and Brad Schiff.

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