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  • AOTG

    RIP Sally - Hello Sally - Death Proof

    September 28, 2010, 10:32 pm
    Quentin Tarantino talks about his editor, Sally Menke; plus, the closest thing to a Death Proof blooper reel we'll ever get.




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  • Other Postings By Member

    • AJA introduces Hi5-12G and HA5-12G Mini-Converters
      EDITING

      AJA introduces Hi5-12G and HA5-12G Mini-Converters

      June 11, 2018, 9:27 am
      Available in three model configurations, the new Mini-Converters from AJA make it easier and more cost-efficient to transmit high quality signals between 12G-SDI and HDMI devices and displays.

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    • Big news from Milk for their 5th anniversary
      VFX

      Big news from Milk for their 5th anniversary

      June 11, 2018, 5:50 am
      Milk is growing and welcomes Kat Mann as a new Head of Production for their 5th birthday!

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    • MADAM SECRETARY: VFX Breakdown
      VFX

      MADAM SECRETARY: VFX Breakdown

      June 11, 2018, 5:50 am
      VFX Legion presents their invisible work on MADAM SECRETARY...

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    • AOTG
      EDITING

      Adobe and Erik Spiekermann revive lost type sets

      June 11, 2018, 5:50 am
      The legendary Bauhaus school of design only operated for 14 years before being closed due to pressure from the Nazi regime. Yet the Bauhaus aesthetic had a profound influence on modern graphic design. Now designers can use previously lost Bauhaus type sets specially recreated by Adobe and Erik Spiekermann in partnership with the Bauhaus Dessau Foundation.

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    • ART OF THE CUT editing "Adrift" with John Gilbert,
      EDITING

      ART OF THE CUT editing "Adrift" with John Gilbert,

      June 10, 2018, 9:14 am
      John Gilbert, ACE, started as an assistant editor in his native New Zealand in 1980, under Oscar-winner, Jamie Selkirk, and has been editing for more than 20 years. His films include The Lord of the Rings: The Fellowship of the Ring (for which he was nominated for a BAFTA, and Eddie and an Oscar), The World’s Fastest Indian, Bridge to Teribithia, The Killer Elite, Chasing Mavericks, and Hacksaw Ridge (for which he was nominated for an Eddie, won the BAFTA and the Oscar).

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    • AOTG
      COLOR

      AE Project Diary: 6) Xian part 2. Color Grading

      June 9, 2018, 9:12 am
      This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of this article is the importance of keeping them separate.

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    • AOTG
      ANIMATION

      Editorial Shop Uppercut Partners with Bicoastal VF

      June 7, 2018, 2:09 pm
      Creative editorial shop Uppercut has partnered with bicoastal visual effects studio ZERO, allowing the companies to offer comprehensive post-production services across editorial, animation, CG, VFX and finishing. Encompassing three markets — including offices in New York City, Los Angeles and Boston — the alliance places the joint studios in a position to continually evolve with the changing needs of clients. The studios will be led by Uppercut Owner/Editor Micah Scarpelli and Executive Producer Kathrin Lausch and ZERO Founder Brian Drewes and Senior Producer Meg Bailey.

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    • AOTG
      EDITING

      Is the freelance economy really shrinking?

      June 7, 2018, 2:09 pm
      There are fewer temporary workers today than there were in 2005, according to a much anticipated report on contingent workers from the Bureau of Labor Statistics released this morning. The new data offers some insight into the number of people who rely on temporary work for income, but experts say it may not paint a full picture of the changing nature of work.

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    • AOTG
      VFX

      THOR - RAGNAROK: VFX Breakdown

      June 7, 2018, 9:36 am
      Digital Domain have released the VFX Breakdown of their work on the ships chase sequence for THOR – RAGNAROK...

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    • AOTG
      VFX

      How they Built Wakanda

      June 7, 2018, 9:36 am
      It turns out that Wakanda is real. The nation’s most stunning vistas weren’t taken from another country, or the product of various other environments blended together. Wakanda is real—in a sense—in that it was created almost entirely by the visual effects wizards who brought Ryan Coogler’s vision of the fictional African nation into reality. The most astonishing location in the history of the Marvel Cinematic Universe was nearly entirely created by digital effects. A new VFX reel shows just how these environments were created.

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