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  • AOTG

    ASE Demystifying Codecs Part 3 of 12

    October 2, 2010, 3:49 pm
    Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 3 of 12. Topics covered in this part include: DSLR, Compressor, Episode, Sorensen Squeeze, Cleaner, DVD Studio Pro & Encoding. Chris Reynolds is an editor at ActiveMotion. This event was held on 13 May 2009.

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  • Other Postings By Member

    • AOTG
      EDITING

      Boris FX makes Particle Illusion available for fre

      June 18, 2020, 1:30 pm
      Boris FX has released a free standalone version of Particle Illusion, the GPU-accelerated 2D particle generator that forms part of its Continuum suite of effects plugins.

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    • AOTG
      EDITING

      Adobe CC 2020 Updates

      June 18, 2020, 1:30 pm
      Today we’re excited to announce a major update across Creative Cloud. For video, the new release includes Adobe Stock audio integration in Premiere Pro. We are previewing several new features coming soon, including Roto Brush 2 in After Effects, Scene Edit Detection in Premiere Pro, and an Effects panel in Premiere Rush with new Auto Reframe and Pan and Zoom.

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    • AOTG
      VFX

      The Mandalorian: Season 1 - VFX

      June 17, 2020, 12:33 pm
      Image Engine have posted a VFX breakdown of their work on the first season of The Mandalorian.

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    • AOTG
      EDITING

      Let's Edit with Media Composer - Lesson 2 - Projec

      June 16, 2020, 5:21 pm
      It’s time, once again, for another “Let’s Edit” tutorial, and we’re taking the next logical step in learning Media Composer, and that’s launching the application, and understanding the Project Selection/Creation window. This window has changed substantially since the 2020.4 update. You now get not only a new interface, but more information to help you sort through your projects. In this lesson, we’ll cover how to not only create standard projects (project defaults), but also how to set up custom frame sizes for projects, as well as important things you need to consider, before creating your project, so you don’t run into any problem down the road. Enjoy!

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    • AOTG
      VFX

      WESTWORLD Jeremy Fernsler - VFX Supervisor - DNEG

      June 16, 2020, 5:21 pm
      Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR TREK: DISCOVERY, THE DARK CRYSTAL: THE AGE OF RESISTANCE and RUNAWAYS.

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    • AOTG
      VFX

      Jay Worth (‘Westworld’) interview visual effec

      June 16, 2020, 1:35 pm
      “Every inch of this world is designed,” says Emmy-winning visual effects supervisor Jay Worth for HBO’s “Westworld.” Season 3 of the sci-fi series pushed the story out of the titular theme park and into the real world of the future, which presented a whole new set of challenges. Watch the exclusive video interview above.

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    • AOTG
      EDITING

      BAFTA Reveals Eligibility Requirements For 2021 Fi

      June 16, 2020, 1:35 pm
      BAFTA has laid out new, temporary eligibility requirements for the upcoming 2021 edition of the annual Film Awards.

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    • AOTG
      VFX

      A tale of 3 robots

      June 16, 2020, 1:35 pm
      George, Harriett and The Mech. They’re the three robots DNEG crafted for season 3 of HBO’s Westworld. Here, DNEG visual effects supervisor Jeremy Fernsler and animation supervisor Ben Wiggs break down how each was achieved.

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    • AOTG
      EDITING

      Scene Edit Detection and Stock Audio coming to Pre

      June 16, 2020, 1:35 pm
      Browse stock audio right from the Essential Sound panel and get a waveform-like feature for the ever-important visual reference. I say waveform-like as it doesn’t look like a true waveform but you can see peaks and valleys which is very important when getting sucked into the rabbit hole of searching for music. It will be nice to be able to preview unwatermarked versions right in your edit very quickly and they say you can preview in your edit without downloading. And then purchase and license them with ease.

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    • AOTG
      SOUND

      Da 5 Bloods Composer Terence Blanchard on That Ope

      June 15, 2020, 4:56 pm
      Composer and musician Terence Blanchard is synonymous with the work of Spike Lee. Starting with 1991’s Jungle Fever, Blanchard has composed the score for almost every single Spike Lee joint, and the musician’s work is as striking and diverse as Lee’s films. Blanchard received his first-ever Oscar nomination for his work on Lee’s 2018 film BlacKkKlansman (which also scored Lee’s first-ever competitive Oscar win for Best Adapted Screenplay), and one would think in following up that incredibly well-received film that Lee would maybe take a break or at least take it easy. Instead, he made Da 5 Bloods—an ambitious and confrontational film about the Vietnam War, among other things—as quickly as possible.

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