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October 3, 2010, 11:46 am
If you're reading this blog you are a student of the art of editing. You want to become a better editor. You want to be ready when the opportunity comes up to edit and incredibly great story. I believe as an editor if you can edit five things that you are truly proud of in one year, your doing good. We all have to edit stories that aren’t always the best. It's those time you just practice your craft. Maintain your skills so when the 'monster' comes you're ready.
July 13, 2018, 6:41 am
Adobe's chief of Creative Cloud software Scott Belsky confirmed that the company is working on a new cross-platform version of Photoshop and other apps, but declined to specify the timing of their launches.
July 12, 2018, 4:29 am
Whether they’re designing enormous tissue-growing, green-skinned warriors or rapidly shrinking, astonishingly tiny superheroes, Marvel Studios’ Visual Development Department has mastered its ability to visualize the look and feel of the Marvel cinematic universe. Ant-Man and the Wasp premiered at the El Capitan Theatre in Hollywood on June 25 and hits cinemas July 6, 2018. On the heels of the US release, six of the Marvel Studios Visual Development team will assemble at the Lenovo Stage at Gnomon School of Visual Effects on July 12 to uncover the stunning work that went into designing Ant-Man and the Wasp, Marvel’s 20th movie.
July 12, 2018, 4:28 am
First cameras started proudly wearing their ‘Approved by Netflix’ badges and then the streaming giant turned its attention to domestic television sets. The latest thing we have seen now is a list of hardware and software that the company specifies for colour grading in Dolby Vision, the format it uses for mastering, packaging and delivery of all its Netflix Originals.
July 11, 2018, 12:26 pm
Fans of Ant-Man’s amazing miniature world are in for many more elaborate visual effects in the fantastic sequel Ant-Man and The Wasp, in theaters now. This time around, the Quantum Realm and The Wasp take the lion’s share of the creative team’s work.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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