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April 22, 2013, 12:10 pm
Last week I met with Al Mooney and we discussed Premiere Pro, however, we also diverged into the area of Adobe Edge and the future possibilities of editing. Definitely, something you don’t want to miss.
May 30, 2015, 6:16 am
When George Miller looked to return to the world of Mad Max with his new Fury Road, the director began a lengthy development period that saw several false starts but ultimately culminated in a six-month long shoot in the Namibian desert. Here, DOP John Seale would use multiple digital cameras to capture incredible practical stunts with more than 150 vehicles conceived by production designer Colin Gibson, then rigged, driven and crashed thanks to the efforts of key crew including special effects supervisors Andy Williams and Dan Oliver and supervising stunt co-ordinator Guy Norris.
May 30, 2015, 6:14 am
So I'm working on some stuff this week, and needed to move a project into FCP 7. Took about 5-10 minutes to delete disabled audio channels, and import the GFX that I did in X that can't be done in 7. Then, for laughs, I imported the sequence into PrCC. In X, I had done…
May 30, 2015, 6:13 am
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
May 30, 2015, 6:12 am
Panelists include Overall Visual Effects Supervisor Christopher Townsend, Additional Visual Effects Supervisor Geoffrey Baumann, ILM Visual Effects Supervisor Ben Snow, ILM Animation Supervisor Marc Chu, Trixter Animation Supervisor Simone Kraus and moderated by VES Chair Mike Chambers.
May 30, 2015, 6:12 am
There are several free and open raw-image processing tools for still images like: ufraw, darktable, RawTherapee, Rawstudio, digiKam and many more. While some of them offer batch processing capabilities none of these tools were designed for moving pictures. Processing DNG sequences is cumbersome and time consuming, CinemaDNG MXF files are not yet supported at all.
May 30, 2015, 6:09 am
Disney’s “Tomorrowland” imagines a future utopia endangered by cynicism and despair. Production designer Scott Chambliss shared how he found inspiration in everything from the architecture of Eeno Saarinen to a cheesecutter from his own kitchen to create this stunning world.
May 30, 2015, 6:08 am
Los Angeles, CA — ACES, the new Academy Color Encoding System, will be explored by a panel of experts at Cine Gear at the Sherry Lansing Theater at Paramount Studios in Hollywood on June 6 from 10:15 a.m. to 11:30 a.m. Titled ACES for Hands-on Filmmakers, the panel is presented by the International Cinematographers Guild (ICG, IATSE Local 600) and the American Society of Cinematographers (ASC) Technology Committee, in cooperation with the Academy of Motion Picture Arts and Sciences (AMPAS).
May 30, 2015, 6:08 am
Canadian animation studio Bron Studios has announced the voice cast for its first animated feature film, Henchmen. A who’s who of today’s top talent, including James Marsden (The D-Train, Anchorman 2, HBO’s upcoming Westworld), Thomas Middleditch (Silicon Valley, The Wolf of Wall Street), Rosario Dawson (Daredevil, Top Five), Alfred Molina (Love is Strange, Spider-Man 2), Nathan Fillion (Castle), Jane Krakowski (30 Rock, Unbreakable Kimmy Schmidt), Rob Riggle (Dumb and Dumber To, 21 & 22 Jump Street), Craig Robinson (This is The End, Hot Tub Time Machine) and Will Sasso (The Three Stooges) have been cast to give voice to Bron’s original upcoming animated film Henchmen, currently in production at the company’s studios in Burnaby and Duncan, British Columbia.
I'm writting my Master thesis about "Film Editing in Post digital world".
I would appreciate your answers t...
If we want to get into editing or VFX we can see lists of films and tv shows to watch. But what about color correction, w...
Where do you think the editor must put most of efforts and knowledge?
“Shot reverse shot” is a staple of editing in dialogue sequences. Conventionally, it utilizes the 180 degree rule ...
PostMortem Eps. 34 - News from The Foundry, Apple, Imax and More!
We sat down for a chat with Katrina De Leon who works for ProductionHUB, a site for film industry professionals to find work ...
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