Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
October 21, 2008, 6:20 pm
The Academy of Canadian Cinema & Television have announced the winners of the first of three industry award evenings. In total, 32 awards were presented. To see the winners in the film editing category you can look to the link below.
The Gemini Awards have announced the winners on the first night of three awards nights. Below is a list of editors who were awarded last night.
Best Picture Editing in a Documentary Program or Series
Roderick Deogrades for 100 Films and a Funeral
Best Picture Editing in an Information Program or Series
Avi Lev for The Fifth Estate (Brian Mulroney: The Unauthorized Chapter
To read more or see the other categories check out the Gemini Awards website.
August 21, 2018, 12:14 pm
Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.
August 21, 2018, 9:46 am
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.
August 21, 2018, 9:45 am
Of course, it is! Whether you want to make clouds, fog, smoke, or other atmospheric effects, there are many elements to it…. particle effects, lighting, rendering, and more. Here are some tutorials to get you acquainted with some of the techniques.
August 21, 2018, 9:41 am
Timothy René and Teresa open up the mailbag and answer some questions from listeners. We tackle how directors can find a good match with a sound designer, how to find the sonic voice of an animated project, and how edits done in a home studio can best translate to mix stages.
August 21, 2018, 7:00 am
In recommending a “no vote” on the ratification of new IATSE film and TV contract, Editors Guild Local 700 says that the pact’s new media residuals formula has such an “extraordinarily narrow scope” that it “excludes nearly all of new media.” In a posting on its website, the guild says that Netflix’s Bright “was the sole example cited in negotiations of a recent show that would qualify.”
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.