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October 19, 2010, 2:11 pm
Apple Final Cut Pro is generally said to be an 80/20 application, trading off some niche features for a lower price. More often than not, this descriptor is meant in the negative. Avid editors using FCP frequently lament about media management, render files and so on when comparing FCP with Media Composer. Yet, the fact that Apple targets the sweet middle, has left the field open for high-end systems on the Mac, like Avid Symphony, Autodesk Smoke and now, Blackmagic Design DaVinci Resolve.
September 28, 2016, 2:35 pm
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX.
September 28, 2016, 4:54 am
I've had some discussions with a few people about the need to try preserve some of the pre-Digital visual effects equipment (optical printers, animation stands, motion control systems, etc) as well as archiving images and other material. This would also apply to miniatures and models.
September 27, 2016, 12:11 pm
In the past two months, Stranger Things has quite literally taken over the world. And in a recent podcast interview, the show's two editors shared some insights into how their work helped shape the show into what it is.
September 27, 2016, 5:55 am
In this free video Pro Tools Expert team member Dan Cooper tests two of the new features in Pro Tools 12.6 by Avid...
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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