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October 22, 2010, 11:07 am
With Danny Boyle at the helm, principal photography on the upcoming 127 Hours was anything but routine. The director wanted to shoot the harrowing true story of mountain climber Aron Ralston on location in Utah, using the tiny Silicon Imaging SI-2K cameras he employed on Slumdog Millionaire. That meant building a new digital workflow far from the comforts of Hollywood.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
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