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October 22, 2010, 11:07 am
With Danny Boyle at the helm, principal photography on the upcoming 127 Hours was anything but routine. The director wanted to shoot the harrowing true story of mountain climber Aron Ralston on location in Utah, using the tiny Silicon Imaging SI-2K cameras he employed on Slumdog Millionaire. That meant building a new digital workflow far from the comforts of Hollywood.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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