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  • AOTG

    127 Hours: Digital Workflow in the Desert

    October 22, 2010, 11:07 am
    With Danny Boyle at the helm, principal photography on the upcoming 127 Hours was anything but routine. The director wanted to shoot the harrowing true story of mountain climber Aron Ralston on location in Utah, using the tiny Silicon Imaging SI-2K cameras he employed on Slumdog Millionaire. That meant building a new digital workflow far from the comforts of Hollywood.

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  • Other Postings By Member

    • AOTG
      EDITING

      8K Editing with the new MacPro

      June 4, 2019, 6:45 am
      Nothing comes cheap with Apple and that includes the new MacPro at $6000 which is the starting price of what’s now known as the “Cheese Grater”.

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    • NEW MAC PRO
      EDITING

      NEW MAC PRO

      June 4, 2019, 6:45 am
      Apple today introduced the all-new Mac Pro, a completely redesigned workstation for pros who push the limits of what a Mac can do, and unveiled Apple Pro Display XDR, a new pro display. Designed for maximum performance, expansion and configurability, the all-new Mac Pro features workstation-class Xeon processors up to 28 cores, a high-performance memory system with a massive 1.5TB capacity, eight PCIe expansion slots and a graphics architecture featuring the world’s most powerful graphics card. It also introduces Apple Afterburner, a game-changing accelerator card that enables playback of three streams of 8K ProRes RAW video simultaneously.

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    • AOTG
      VFX

      Avengers Endgame: VFX Team Interview

      June 4, 2019, 6:44 am
      Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.

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    • AOTG
      ANIMATION

      Animate Smooth Text in AE

      June 3, 2019, 12:25 pm
      In this tutorial, you'll learn how to use After Effects scripts. You'll see how to use a text animation script to apply effects easily in your projects.

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    • AOTG
      ANIMATION

      Chuck Jones - An Animator is an Actor with a Penci

      June 3, 2019, 12:25 pm
      The official Tumblr of Chuck Jones, the four-time Academy Award recipient and legendary animated film director and creator.

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    • AOTG
      SOUND

      Quality Vs. Quantity: What should you record durin

      June 3, 2019, 5:44 am
      For filmmakers, traveling can sometimes become a burden of B-roll overload. You want to be present and enjoy your trip, but also capture the shots you need for a dynamite edit. Personally, I’ve had my fair share of trigger-finger moments, where I’ve arrived at a stunning location and gone entirely overboard with capturing B-roll beauty of almost every single mountain, river, shrub, rock, and stick.

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    • AOTG
      SOUND

      iLok Cloud Affected By Google Network Congestion I

      June 3, 2019, 5:44 am
      There have been a number of reports on social media that Pro Tools wouldn’t work because iLok Cloud Servers were affected by the Google Network congestion issues that affected Google Cloud, G Suite, and YouTube.

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    • AOTG
      SOUND

      The Sound Of Blubber

      June 1, 2019, 10:14 am
      Creating the sound of flab in motion is a challenge we in sound design encounter fairly often, most frequently in animation. We see an obese character move.

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    • A new VFX featurette on Jordan Peele's Us
      SOUND

      A new VFX featurette on Jordan Peele's Us

      June 1, 2019, 10:14 am
      A short visual effects featurette has been released in conjunction with the impending arrival of Jordan Peele’s Us on DVD and Blu-ray, in which ILM VFX supe Grady Cofer discusses how the ‘twinning’ shots in the film were done (with stunt doubles, splitscreens, head replacements and face replacements). It looks to be part of a larger featurette called ‘Tethered Together: Making Us Twice’. Check out the short clip below.

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    • AOTG
      EDITING

      Editing Software

      May 31, 2019, 9:01 am
      The question of where editing software is going popped into my mind as I sat through press conferences and demos at NAB. (No, I promised my editor this wasn’t going to be another NAB recap.) Both Blackmagic Design and Adobe introduced new components to their edit software.

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