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October 26, 2010, 2:45 pm
Be part of the last link of the editing chain! MPSE's Sound Show in NY shows editors what happens when they pass the baton to that crucial stage of editing - sound design and mix.
THE MPSE SOUND SHOW COMES TO
December 9, 2010 - 7pm - 9pm - SVA Silas Theatre
For the first time, MPSE brings its wildly entertaining and enlightening seminars on film sound editing to New York City!! Join us as we explore the stunning sound design of Paramount Pictures' blockbuster Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio.
Produced by the Motion Picture Sound Editors organization and Manhattan Edit Workshop, the Sound Show takes you behind the scenes of a major motion picture to understand the sophisticated sound work crafted by the movie's team of audio artisans.
Guiding us through their process will be award-winning supervising sound editor Phil Stockton (Salt, The Departed) & Eugene Geary (Inside Man, Brokeback Mountain) and award-winning re-recording mixer Tom Fleischman (Angels & Demons, Marley & Me).*
Excerpts from the movie will be presented with special "pre-dub" mixes to illustrate the variety of elements used to create this thrilling and moody sonic environment.
One Night Only: Thursday, December 9, 2010, at the School of Visual Arts' Silas Theatre, 333 West 23rd Street, New York, NY, 10011. General admission is $30. Members of the MPSE, Seniors, and students with valid ID are $20. After party sponsored by Paramount Pictures.
To see video from the last MPSE Sound Show exploring "Watchmen" click here.
Contact Abby Hessney for sponsorship and event details at 212-414-9570 or firstname.lastname@example.org
September 21, 2017, 4:39 am
Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).
September 21, 2017, 4:39 am
Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.
September 20, 2017, 8:13 am
While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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