Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • AOTG

    MPSE SOUND SHOW COMES TO NEW YORK

    October 26, 2010, 2:45 pm
    Be part of the last link of the editing chain! MPSE's Sound Show in NY shows editors what happens when they pass the baton to that crucial stage of editing - sound design and mix.


    Sponsors



    Shutter







    soundshownyshutterisland




    THE MPSE SOUND SHOW COMES TO


    NEW YORK


    December 9, 2010 - 7pm - 9pm - SVA Silas Theatre





    For the first time, MPSE brings its wildly entertaining and enlightening seminars on film sound editing to New York City!!  Join us as we explore the stunning sound design of Paramount Pictures' blockbuster Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio.



     


    Produced by the Motion Picture Sound Editors organization and Manhattan Edit Workshop, the Sound Show takes you behind the scenes of a major motion picture to understand the sophisticated sound work crafted by the movie's team of audio artisans.



     


    Guiding us through their process will be award-winning supervising sound editor Phil Stockton (Salt, The Departed) & Eugene Geary (Inside Man, Brokeback Mountain) and award-winning re-recording mixer Tom Fleischman (Angels & Demons, Marley & Me).*



     


    Excerpts from the movie will be presented with special "pre-dub" mixes to illustrate the variety of elements used to create this thrilling and moody sonic environment.



     


    One Night Only: Thursday, December 9, 2010, at the School of Visual Arts' Silas Theatre, 333 West 23rd Street, New York, NY, 10011. General admission is $30. Members of the MPSE, Seniors, and students with valid ID are $20.  After party sponsored by Paramount Pictures.




    Register HERE.



     


    To see video from the last MPSE Sound Show exploring "Watchmen" click here.




    Contact Abby Hessney for sponsorship and event details at 212-414-9570 or abby@mewshop.com






    *panelists subject to availability



    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member

    • A Newbie Looks at EditFest LA
      EDITING

      A Newbie Looks at EditFest LA

      September 21, 2017, 4:39 am
      Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Noob Mistakes You'll Want to Avoid as an Editor

      September 21, 2017, 4:39 am
      Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.

      • Report
      • Share
      • Save

      Share this posting

    • VFX Podcast - IT
      VFX

      VFX Podcast - IT

      September 20, 2017, 5:17 pm
      In this episode, Matt Wallin, Matt Leonard and Jason Diamond discuss the new film IT.

      • Report
      • Share
      • Save

      Share this posting

    • A Love Letter to The Perfect Sounds of Cinema
      SOUND

      A Love Letter to The Perfect Sounds of Cinema

      September 20, 2017, 8:13 am
      While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.

      • Report
      • Share
      • Save

      Share this posting

    • 10 good reasons for turning down work
      EDITING

      10 good reasons for turning down work

      September 20, 2017, 8:13 am
      Learning when to say no is a valuable skill for a freelancer – here's when you should definitely do it.

      • Report
      • Share
      • Save

      Share this posting

    • Beyond the Mixtape: The Needledrops of The Cornett
      SOUND

      Beyond the Mixtape: The Needledrops of The Cornett

      September 19, 2017, 7:48 am
      hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      BLACK SAILS - Season 4: VFX Breakdown by Rodeo FX

      September 19, 2017, 7:48 am
      Check out the work of Rodeo FX in the Season 4 of BLACK SAILS in this VFX Breakdown...

      • Report
      • Share
      • Save

      Share this posting

    • ART OF THE CUT with "IT" editor, Jason Ballantine
      EDITING

      ART OF THE CUT with "IT" editor, Jason Ballantine

      September 16, 2017, 3:31 pm
      Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.

      • Report
      • Share
      • Save

      Share this posting

    • Maya LT 2018 - Rigging
      ANIMATION

      Maya LT 2018 - Rigging

      September 16, 2017, 3:30 pm
      Maya LT provides several ways to rig characters for animation, giving character riggers the most flexibility.

      • Report
      • Share
      • Save

      Share this posting

    • Blackmagic Design announces Ultimatte 12
      EDITING

      Blackmagic Design announces Ultimatte 12

      September 16, 2017, 3:30 pm
      Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.

      • Report
      • Share
      • Save

      Share this posting





    SUBMIT A LINK

    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.