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October 26, 2010, 2:45 pm
Be part of the last link of the editing chain! MPSE's Sound Show in NY shows editors what happens when they pass the baton to that crucial stage of editing - sound design and mix.
THE MPSE SOUND SHOW COMES TO
December 9, 2010 - 7pm - 9pm - SVA Silas Theatre
For the first time, MPSE brings its wildly entertaining and enlightening seminars on film sound editing to New York City!! Join us as we explore the stunning sound design of Paramount Pictures' blockbuster Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio.
Produced by the Motion Picture Sound Editors organization and Manhattan Edit Workshop, the Sound Show takes you behind the scenes of a major motion picture to understand the sophisticated sound work crafted by the movie's team of audio artisans.
Guiding us through their process will be award-winning supervising sound editor Phil Stockton (Salt, The Departed) & Eugene Geary (Inside Man, Brokeback Mountain) and award-winning re-recording mixer Tom Fleischman (Angels & Demons, Marley & Me).*
Excerpts from the movie will be presented with special "pre-dub" mixes to illustrate the variety of elements used to create this thrilling and moody sonic environment.
One Night Only: Thursday, December 9, 2010, at the School of Visual Arts' Silas Theatre, 333 West 23rd Street, New York, NY, 10011. General admission is $30. Members of the MPSE, Seniors, and students with valid ID are $20. After party sponsored by Paramount Pictures.
To see video from the last MPSE Sound Show exploring "Watchmen" click here.
Contact Abby Hessney for sponsorship and event details at 212-414-9570 or firstname.lastname@example.org
December 3, 2016, 3:05 pm
Charlie has been at this business for about as long as I have and brings to any discussion about editorial decades of of experience and insight. This discussion went in a few directions and at one point I share a deeply personal story so please forgive me for monopolizing the conversation. We discuss the history of various FCPX updates and briefly go into some of the new features in 10.3.1
December 2, 2016, 5:45 pm
The Academy of Motion Picture Arts and Sciences has released the list of 20 films that are contenders for nominations in the “Visual Effects” category for the 89th Academy Awards.
December 2, 2016, 5:44 pm
At the Sundance Film Festival earlier this year, Jen Lame was having the kind of moment that most filmmakers wait their entire careers for. After lobbying hard to work as an editor on Kenneth Lonergan’s latest drama “Manchester By the Sea,” standing ovations awaited the film she and the writer/director had spent so much time at the editing bay scrutinizing, and as if that weren’t enough, people couldn’t stop talking about “Christine,” the film that her husband Craig Shilowich spent the off-hours writing for years to perfect. It was the kind of buzz that would follow the couple back home to New York, for better or worse.
December 2, 2016, 5:44 pm
Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.
December 2, 2016, 2:48 pm
The Academy of Motion Picture Arts and Sciences has announced the list of twenty films in the running for the Visual Effects Oscar. The Visual Effects Branch will determine which ten films proceed to the bake off. Here is the press release.
December 1, 2016, 1:32 pm
its most basic, semiotics is the study of signs and symbols and their meanings and interpretations. If you want to get a little more complicated, semiotic theory espouses the idea that there’s no actual relationship between the signifier and the signified.
December 1, 2016, 10:25 am
Florian Gellinger explained to us about the work of RISE Visual Effects Studios on CAPTAIN AMERICA: CIVIL WAR a few months ago. He is back today to talk about his work on the new Marvel production, DOCTOR STRANGE.
December 1, 2016, 10:23 am
Last year’s Best Editing field included “Star Wars: The Force Awakens,” but this decade that blockbuster and “The Girl with the Dragon Tattoo” are the only two nominees that were not also Best Picture nominees. The safer bet is to stick with those contenders. Especially until someone actually sees this year’s “Star Wars” film, ‘Rogue One.’ [Nov 29]
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