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October 26, 2010, 2:45 pm
Be part of the last link of the editing chain! MPSE's Sound Show in NY shows editors what happens when they pass the baton to that crucial stage of editing - sound design and mix.
THE MPSE SOUND SHOW COMES TO
December 9, 2010 - 7pm - 9pm - SVA Silas Theatre
For the first time, MPSE brings its wildly entertaining and enlightening seminars on film sound editing to New York City!! Join us as we explore the stunning sound design of Paramount Pictures' blockbuster Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio.
Produced by the Motion Picture Sound Editors organization and Manhattan Edit Workshop, the Sound Show takes you behind the scenes of a major motion picture to understand the sophisticated sound work crafted by the movie's team of audio artisans.
Guiding us through their process will be award-winning supervising sound editor Phil Stockton (Salt, The Departed) & Eugene Geary (Inside Man, Brokeback Mountain) and award-winning re-recording mixer Tom Fleischman (Angels & Demons, Marley & Me).*
Excerpts from the movie will be presented with special "pre-dub" mixes to illustrate the variety of elements used to create this thrilling and moody sonic environment.
One Night Only: Thursday, December 9, 2010, at the School of Visual Arts' Silas Theatre, 333 West 23rd Street, New York, NY, 10011. General admission is $30. Members of the MPSE, Seniors, and students with valid ID are $20. After party sponsored by Paramount Pictures.
To see video from the last MPSE Sound Show exploring "Watchmen" click here.
Contact Abby Hessney for sponsorship and event details at 212-414-9570 or email@example.com
May 26, 2019, 5:00 am
I want to talk about the topic I get asked about all the time: The state of the industry in 2019 and is the industry stable? I want to dive into this subject because it’s pretty serious, at least for me. I want to answer this question and talk about all the scares we’ve had in the industry.
May 25, 2019, 4:32 pm
Just a week ahead of Cine Gear Expo, Blackmagic Design just released Beta 3 of their newly updated DaVinci Resolve 16 and DaVinci Resolve 16 Studio. Beta 3 update comes packed with hundreds of performance and stability enhancements based on user feedback.
May 25, 2019, 8:15 am
In this premium video tutorial, Julian Rodgers demonstrates how automation can take the strain off your vocal compression and how using volume automation affects compression differently than clip gain. Luckily you can change your mind about which you use without losing your automation. Thanks to Jess Orestano for the use of her track Eliza.
May 24, 2019, 5:54 am
Join Sound Devices as they present the new Scorpio premium portable mixer-recorder! You will be taken through the layout, key features and workflow as Sound Devices showcases the most powerful product they have ever designed.
May 24, 2019, 5:54 am
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
May 24, 2019, 5:54 am
Whatever you think of Jar Jar Binks – the fully computer-generated Gungan played by Ahmed Best and crafted by ILM for The Phantom Menace – he was a game-changer in visual effects. It was, essentially, the first main CG character in a feature film, one brought to life by Best performing on set with the other actors and via motion capture.
May 23, 2019, 12:26 pm
In 2016, Matt Aitken explained the work of Weta Digital on INDEPENDENCE DAY: RESURGENCE. He then worked on AVENGERS: INFINITY WAR. He speaks to us today about his work on AVENGERS: ENDGAME with Sidney Kombo-Kintombo (Animation Supervisor) and Gerardo Aguilera (FX Supervisor).
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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