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November 1, 2010, 3:58 pm
The final countdown to the AES show in San Francisco has begun and we couldn't me more excited. The convention kicks off on Thursday and we just can't wait to show off all the new releases we’ve brought to the market recently. But there’s more going on at AES than just new product show & tell. Appearing on our main stage at the Avid booth - and in workshops and panels at the show itself - there are going to be some incredible opportunities to hear professionals speaking first had about the...
January 22, 2021, 1:29 pm
FEATURING SYNTHETIC SHIPS AND SUBS AND A CG OCEAN FROM DNEG.
January 22, 2021, 1:29 pm
NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik “Black Thought” Trotter. He has also graded advertising campaigns for United Healthcare, Ralph Lauren, and other national brands.
January 22, 2021, 1:29 pm
Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.
January 22, 2021, 1:29 pm
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.
January 22, 2021, 1:29 pm
Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.
January 21, 2021, 12:30 pm
Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.
January 21, 2021, 12:30 pm
In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.
January 21, 2021, 12:29 pm
Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.
January 21, 2021, 12:29 pm
MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.
January 20, 2021, 1:33 pm
EGG VFX has named Aled Rhys Jones as new head of department. During the challenges of the 2020 COVID pandemic, the company’s team of 12 artists worked through two lockdowns in conjunction with Milk VFX in London and delivered over 400 shots in less than 27 weeks for Intergalactic (Sky, TX Q2 2021). The team also delivered over 150 shots for The Christmas Waltz, which was the 2nd highest rated cable broadcast in the US over the Christmas period. Jones’ leadership was a key factor in both projects delivering to high standards, on time and on budget.
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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