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November 1, 2010, 4:01 pm
The FCP nerds are fighting with the Avid geeks again. We should probably separate them before someone gets a grass stain on their shirt. If you aren’t too busy working with either system to care, you can read the pros and cons from either side here and here. Absent from this NLE point-counterpoint blog war is the dark horse that is Adobe Premiere CS5, which is seriously kicking ass lately. Enough ass stomping power that I’m personally considering using it on a few projects in leu of FCP...
February 6, 2019, 7:31 am
“Avengers: Infinity War,” which is predicted to win the Oscar for Best Visual Effects, swept the Visual Effects Society Awards on Feb. 5. Among its four wins was one in the VES equivalent of the Best Picture race — visual effects in a feature motion picture. It prevailed over three of its four Oscar rivals — “Christopher Robin,”“Ready Player One,” “Solo: A Star Wars Story” — plus “Welcome to Marwen."
February 6, 2019, 7:30 am
Ziva Dynamics has launched new Academic licences for Ziva VFX, its skin and muscle plugin for Maya.
February 5, 2019, 10:42 am
This year we had a fantastic voter turn out in the 2018 Toolfarm Top 10 Plug-in Awards. These are the top plug-ins and products of 2018 as voted by our Adobe After Effects, Premiere Pro, CINEMA 4D, Avid Media Composer, Final Cut Pro X, and DaVinci Resolve Users!
February 4, 2019, 11:54 am
This fun blur from the Cycore Effects that come bundled with Adobe After Effects. It looks at a second layer as a map to determine how much to blur an image by, and in what direction. The results are often surrealistic:
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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