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  • AOTG

    Amped-Up HD Editorial for Max Payne

    November 10, 2008, 6:59 pm
    Max Payne is the latest example of Hollywood’s yen for adapting the video game for the silver screen. With Mark Wahlberg in the title role and directed by John Moore, this thriller—which also stars Mila Kunis, Beau Bridges, Ludacris and Nelly Furtado—was shot in 35mm 3-perf in Toronto.

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  • Other Postings By Member

    • AOTG
      VFX

      Star Trek Discovery - Season 3: VFX Breakdown

      February 9, 2021, 6:09 pm
      Let’s discover a tour through the galaxy with Mackevision showing their work on the third season of Star Trek Discovery...

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    • AOTG
      EDITING

      BAFTA 2021: The Longlists of EE British Academy Fi

      February 9, 2021, 6:09 pm
      The BAFTA has revealed their longlists for the EE British Academy Film Awards 2021!

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    • Episode 285 — Beeple — Mike Winkelmann
      VFX

      Episode 285 — Beeple — Mike Winkelmann

      February 9, 2021, 1:51 pm
      Beeple is Mike Winkelmann, a graphic designer from Charleston, SC, USA who does a variety of digital artwork including short films, Creative Commons VJ loops, everydays and VR / AR work.

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    • AOTG
      SOUND

      How ‘Mank’ Sound Designer Ren Klyce Crafted Pi

      February 9, 2021, 1:49 pm
      On David Fincher’s Mank, sound designer Ren Klyce was tasked with crafting a monaural soundtrack, similar to those heard in films of the ’30s and ’40s, engaging in a laborious, experimental process, in order to round out the world of one of the year’s most distinctive films.

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    • AOTG
      VFX

      How The Mill helped craft Doritos’ Super Bowl sp

      February 9, 2021, 1:49 pm
      Head behind the scenes of Doritos’ latest spot 'Flat Matthew' which features actor Matthew McConaughey and VFX from The Mill.

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    • AOTG
      ANIMATION

      Aardman launches mental health campaign

      February 9, 2021, 1:49 pm
      Award-winning Bristol-based studio Aardman have teamed up with leading researchers and mental health charities in the development of a new campaign aimed at increasing young people aged 17-24’s awareness of the factors that contribute negatively to their mental and emotional wellbeing. Working alongside the young audience who make up its target demographic, What’s Up With Everyone? takes the form of a series of short films that aim to authentically represent the range of mental health challenges they are likely to face.

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    • AOTG
      VFX

      Angelina Jolie on the VFX of Disney's 'The One an

      February 9, 2021, 1:48 pm
      “My child, Shiloh brought the book to me, she had read it and she loved it,” Angelina Jolie says recalling the first time she had seen “The One and Only Ivan,” written by Katherine Applegate.

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    • AOTG
      EDITING

      HPA Tech Retreat 2021 available globally as it mov

      February 8, 2021, 5:12 pm
      In an event that boasts over 25 years of industry-changing thought leadership, the unique circumstances of 2021 promise to make the 2021 HPA Tech Retreat the most consequential in its history.

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    • AOTG
      COLOR

      3 Tips to Color Grading Cinematic Images

      February 8, 2021, 5:12 pm
      In my decade-long career as a colorist, I’ve worked on every imaginable type of content: short-form, long-form, advertising, non-fiction, episodic—you name it. And while each of these formats requires its own approach, one constant which spans all of them is the client’s desire for a cinematic look.

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    • AOTG
      VFX

      'Monster Hunter' Review: A VFX Heavy Paul W.S. And

      February 8, 2021, 5:12 pm
      Monster Hunter, written and directed by Paul W.S. Anderson, is based on the video game franchise of the same name. It follows US Military Captain Artemis (Milla Jovovich) and her team who are sucked into the New World while inspecting the mysterious disappearance of a group of soldiers. They come face-to-face with various monsters and are picked apart one by one until Hunter (Tony Jaa) comes to their rescue. The movie’s biggest assets are its use of visual effects, special effects, and the ability to merge the line between practical and CGI settings. And while Jovovich and Jaa give their best to make a mark in your mind, Anderson’s directions and Doobie White’s editing will make you forget all about it.

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