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November 9, 2010, 3:18 pm
You’ll hear this phrase from time to time muttered by knowing producers. Sounds ghastly, doesn’t it? So prosaic. Shooting is just so much sexier when it’s about beautiful images. On a side note, have you ever considered how brusque the lexicon of filmmaking is? We shoot, we cut, we clap, we call action – man’s work – hoohah! Unfortunately...
May 15, 2018, 4:40 am
This is Allan McKay. Welcome to Episode 140! I’m speaking with Catherine Mullan who is the Animation Supervisor for MPC. I’m excited for this Episode! Catherine was really cool to chat with, shooting the shit about her career history and insights that she’s gained. She is currently working on Dumbo. She’s worked on Pirates of the Caribbean, Spectre, X-Men, Guardians of the Galaxy, Happy Feet, Maleficent — and tons of others!
May 14, 2018, 4:55 pm
Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.
May 10, 2018, 4:26 pm
HitFilm Express is one of the best entry level visual effects tools a filmmaker can use to cut their teeth on. It’s very powerful, and can do just about anything the big boy visual effects apps like After Effects can do. And what I really like about them, is every time a blockbuster film like Avengers: Infinity War comes out, you can bet that HitFilm is going to come out with a new tutorial on how to create the same kind of visual effects.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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