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November 9, 2010, 3:18 pm
You’ll hear this phrase from time to time muttered by knowing producers. Sounds ghastly, doesn’t it? So prosaic. Shooting is just so much sexier when it’s about beautiful images. On a side note, have you ever considered how brusque the lexicon of filmmaking is? We shoot, we cut, we clap, we call action – man’s work – hoohah! Unfortunately...
July 14, 2009, 4:14 pm
Yesterday I shot a political spot with Simon Sommerfeld, a friend who saved the day after I pitched the concept for this no-budget spot to an agency that then said, "We’ll take it—make it as fast as you can for no money."
July 14, 2009, 4:13 pm
If there is one priority assistant editors agree on, it’s the need for organization. Today’s assistant editor may have dozens of tasks to perform daily, but only one real job—creating an efficient, smooth running environment that will leave his/her editor free to create.
July 13, 2009, 4:12 pm
Effects production can fall into several categories. There are effects which dazzle the eyes and send stimulating impulses to the brain - and then there is repair work, whereby effects are used to fix problems which could otherwise destroy valuable footage. Rick Young demonstrates effects production in Final Cut Pro, using no third party filters and no other applications. Recorded live at the LAFCPUG Meeting, April 29, 2009.
July 12, 2009, 4:11 pm
Dr. Karen Pearlman, head of screen studies at AFTRS and co-artistic director of The Physical TV Company, has made her way into the literary field. Her book, Cutting Rhythms: Shaping the Film Edit, has now been published by Focal Press, America's leading publisher of books on media.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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