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  • POST PRODUCTION WEEK POST 7: NOISE REDUCTION

    POST PRODUCTION WEEK POST 7: NOISE REDUCTION

    November 13, 2010, 12:00 pm
    Early on in my DSLR mission I, like everyone else I expect, thought they were some kind of miracle worker in low light. I kept seeing astonishing shots done with available light out on the street and they looked great. When I got my 7D I went out excitedly expecting to be able to shoot in windowless rooms with the lights off and get perfect exposure.

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  • Other Postings By Member

    • AOTG
      VFX

      Hennessy "The Seven Worlds" Making of...

      February 13, 2019, 7:31 am
      Legendary director Ridley Scott takes us to a beautiful odyssey in this HENNESSY commercial! Come have a look at how MPC created those worlds...

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    • AOTG
      EDITING

      Every Video Editors Secret... Royalty Free Footage

      February 13, 2019, 7:31 am
      Picture this — you’ve got 24 hours before the deadline for a client’s video. You’re combing through the last parts of the video, and you realize that one of your establishing shots of a city skyline is drastically overexposed. There’s no fixing it — you’ve corrected it as much as you possibly can, and it still looks like a photo your Dad took with an old disposable camera.

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    • AOTG
      VFX

      Ready Player One VFX Breakdown

      February 13, 2019, 7:31 am
      This week's VFX breakdown comes at you from Ready Player One (2018), directed by Steven Spielberg.

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    • AOTG
      EDITING

      Oscars relegates editing to ad breaks

      February 13, 2019, 7:30 am
      The Academy is not having the easiest of run ups to this year’s Oscars, which take place on 24 February. First, initial host Kevin Hart dropped out of the job following immense disquiet about previous homophobic remarks on Twitter, and the Academy decided to forge ahead without a host for the first time in three decades or so.

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    • AOTG
      VFX

      Mary Poppins Returns: VFX Supervisor Interview

      February 13, 2019, 7:30 am
      In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.

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    • AOTG
      SOUND

      CAS Elects Karol Urban As President

      February 13, 2019, 7:30 am
      Karol Urban has been elected president of the Cinema Audio Society, succeeding Mark Ulano, who has been termed out after four years.

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    • AOTG
      EDITING

      Larry Jordan Comments on Succeeding in Perilous Ti

      February 12, 2019, 6:42 am
      These are perilous times. There has never been a better time to tell stories with video. High-quality gear is more affordable, while low-cost world-wide distribution options abound. Even better, there is a vast audience hungry for visual stories. But, when it comes to succeeding by making money on the stories we create – that’s an entirely different matter.

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    • 129 of the Best Free LUTs from Professional Colori
      COLOR

      129 of the Best Free LUTs from Professional Colori

      February 11, 2019, 11:44 am
      Unlike a traditional roundup that just tells you all about finding free stuff, in this one, we’ve filtered dozens of free LUT packs to create a list of our favorites — and packs that we use the most often. (What is a LUT and how do you use one? We’re so glad you asked.)

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    • AOTG
      EDITING

      Schoonmaker On 50 Years Of Hollywood...

      February 11, 2019, 11:44 am
      Three Oscars, one BAFTA Fellowship, and the editing brains behind some of the world's most memorable films. Even if you don't recognise film editor Thelma Schoonmaker's name, you'll certainly know her work. Whether it's the high stakes humour of The Wolf of Wall Street or the cult classic that is Raging Bull, the now 79-year-old has shaped dozens of cinematic masterpieces.

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    • Classic Course: CC Composite
      VFX

      Classic Course: CC Composite

      February 11, 2019, 11:44 am
      This effect was long one of our secret weapons in Adobe After Effects to create looks like our “instant sex” treatment with just one layer, instead of a stack of layers and blending modes. Its blending function has been replaced by the Compositing Options now available in the timeline for each effect you apply, but it’s ability to also apply blending modes makes it still very useful...

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