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  • COMBINING MULTIPLE EXPOSURES: DYNAMIC RANGE TRICKS

    COMBINING MULTIPLE EXPOSURES: DYNAMIC RANGE TRICKS

    December 4, 2010, 11:24 am
    A while back I came across an image on the RED user forum which was a grab from an HDRx clip. The pic showed something pretty incredible, a shady barn and a very bright, sunlit exterior, seen through a door and both were exposed, if not perfectly, at least well enough so that you could ...



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  • Other Postings By Member

    • SMPTE report: Flow Management in Professional Medi
      EDITING

      SMPTE report: Flow Management in Professional Medi

      December 5, 2017, 10:52 am
      The SMPTE – Society of Motion Picture and Television Engineers announced the publication of a new report, which investigates current and future technologies for media content flow management.

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    • AOTG
      VFX

      STRANGER THINGS - Season 2: VFX reel

      December 5, 2017, 6:34 am
      Atomic Fiction presents their work on the season 2 of STRANGER THINGS...

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    • AOTG
      EDITING

      SNL Welcome to Hell Skit Editing Timelapse

      December 5, 2017, 6:34 am
      From the 12/2/17 episode, for the SNL Film Unit.

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    • AOTG
      VFX

      2018 Oscar Predictions: Best Animated Short

      December 5, 2017, 6:34 am
      Ten short films are shortlisted by the Academy’s Animations and Shorts branch to vie for the final five nominations for Best Animated Short Film. The shortlist includes Pixar’s “Lou,” written and directed by Dave Mullins. The short premiered at SXSW earlier this year and was shown in theaters ahead of “Cars 3.”

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    • AOTG
      EDITING

      Little Editing Tricks that make a big deal

      December 3, 2017, 8:39 am
      Is your video lacking something? You don't always need to make big, dramatic changes to your edit. Sometimes, all it takes is a little adjustment.

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    • AOTG
      EDITING

      ‘Every Frame a Painting’ Is ‘Officially Dead

      December 3, 2017, 8:39 am
      “Every Frame a Painting,” a YouTube channel which attracted many cinephiles by focusing on the artistry of cinema, has ended. Creator and narrator Tony Zhou, alongside his fellow “Frame” writer and editor Taylor Ramos, published a “Postmortem” for the show on Dec. 2, alongside a script for a never-completed final video which was a thoughtful peek behind the curtain of the artists’ workflow.

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    • AOTG
      COLOR

      Easy Cinematic Color Grading with LUTS

      December 2, 2017, 3:29 pm
      Lately, LUTs have become very popular with many people talking about them, why is that? It’s essentially a color preset that you can use in any of your work that easily changes the overall look. You can create your own LUTs or find one of the several premade ones to download from several sources online. If you are looking for a fast and easy way to get a more cinematic color grading in your next video project but not sure how to apply LUTs in your work stay tuned.

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    • New HDMI 2.1 supports video up to 10K
      EDITING

      New HDMI 2.1 supports video up to 10K

      December 2, 2017, 10:01 am
      The new version of HDMI, 2.1, represents a huge leap forward as it supports resolutions up to 10K and Dynamic HDR and introduces a new Ultra High Speed HDMI Cable.

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    • Lisa Bromwell, ACE on "House of Cards"
      EDITING

      Lisa Bromwell, ACE on "House of Cards"

      December 2, 2017, 10:00 am
      Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editors chair in 1992 and has edited more than a dozen feature films and numerous TV series, like The Practice, Weeds, Better Off Ted, Cold Case, Gravity, and Criminal Minds. Art of the Cut talked to Bromwell about her work on the Netflix series, House of Cards. (There are specific examples of editing scenes that you can watch if you have Netflix or even a trial subscription to Netflix.)

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    • Shape of Water Editor Sidney Wolinsky Interview
      EDITING

      Shape of Water Editor Sidney Wolinsky Interview

      December 1, 2017, 1:31 pm
      With director Guillermo del Toro’s fairy tale The Shape of Water opening in select theaters this weekend, I recently sat down with editor Sidney Wolinsky for an exclusive video interview. He talked about how he first met del Toro, the way they collaborated in the editing room, how the first cut compares to the finished film, the toughest sequence to edit, deleted scenes, what people would be surprised to learn about working with del Toro, and so much more.

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