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December 15, 2010, 9:37 am
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor Craig McKay, moderated by distinguished author/editor Bobbi O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by The Moving Pictures Collective NYC.
American Cinema Editors (ACE) launched EditFest LA - a unique event, dedicated to the art of film editing . This weekend series of screenings, talks, Q&A sessions and parties proved an entertaining way to shine a spotlight on an amazing and often misunderstood art. A year later, Manhattan Edit Workshop offered to co-produce EditFest NY, the east coast extension of EditFest and the blockbuster editing event of the Summer! Both shows have become wildly popular weekends for both fledgeling and veteran editors as well as film-lovers and enthusiasts. Now in it's third year, EditFest is growing again - with EditFest Short Cuts! These "mini EditFests" are in-depth talks with a single editor, aimed at taking a deeper look into one artist's body of work.
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor
, moderated by distinguished author/editor Bobbie O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by
The Moving Pictures Collective NYC.
WHERE - New York's Helen Mills Theater, 139 West 26th Street
WHEN - Thursday January 20th, 2011 7PM sharp
Early Bird tickets $25 through December 31st
Discounted $15 for students and members of the following groups (please enter the promotional codes below in the comments box on our registration page to receive discount).
Please choose the EditFest Shortcuts Event - Craig McKay $35 on the "Special Workshops" drop down tab on the registration page and the discount will be reflected after registering.
March 21, 2018, 9:32 am
Andrew Whitehurst began his visual effects career in 2003 at Framestore. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.
March 21, 2018, 4:21 am
VFX Legion (www.vfxlegion.com) recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. The storylines of the political thriller and legal drama intersect in the back-to-back two-hour event, which premiered March 1st on ABC and continues to rank as a streaming favorite on Hulu.
March 21, 2018, 4:20 am
Cate Haight, ACE began exploring an editing career as many others have: logging footage as a production assistant. She then spent a decade learning and mastering the craft as an assistant editor before she went on to edit several notable TV series and films: the Amazon hit series Transparent (which landed her an Emmy nom), Mozart in the Jungle, New Girl, and 2013 Sundance Grand Jury Prize nominee Afternoon Delight.
March 20, 2018, 12:30 pm
"You have to take a fresh look at it and put aside all your preconceived notions."
March 20, 2018, 9:15 am
“David Fincher is a perfectionist,” actor Jesse Eisenberg told The New York Times in a 2010 interview. “You hear about people who work tirelessly, meticulously to get what they are after, but David is the real thing.”
March 20, 2018, 9:15 am
Flowbox is a Rotoscoping & VFX platform built with collaboration in mind. Flowbox v1.6 now offers F-Splines allowing for the combination of Béziers and X-Splines in a single curve, plus lots of other new features and a big performance boost.
March 20, 2018, 9:15 am
Currently Chair of the Visual Effects Society, Jeffrey A. Okun is a visual effects supervisor with a wealth of screen credits including Blood Diamond, The Last Samurai, The Last Starfighter, Stargate, Lolita (1997), Deep Blue Sea and Cutthroat Island.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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