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December 15, 2010, 9:37 am
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor Craig McKay, moderated by distinguished author/editor Bobbi O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by The Moving Pictures Collective NYC.
American Cinema Editors (ACE) launched EditFest LA - a unique event, dedicated to the art of film editing . This weekend series of screenings, talks, Q&A sessions and parties proved an entertaining way to shine a spotlight on an amazing and often misunderstood art. A year later, Manhattan Edit Workshop offered to co-produce EditFest NY, the east coast extension of EditFest and the blockbuster editing event of the Summer! Both shows have become wildly popular weekends for both fledgeling and veteran editors as well as film-lovers and enthusiasts. Now in it's third year, EditFest is growing again - with EditFest Short Cuts! These "mini EditFests" are in-depth talks with a single editor, aimed at taking a deeper look into one artist's body of work.
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor
, moderated by distinguished author/editor Bobbie O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by
The Moving Pictures Collective NYC.
WHERE - New York's Helen Mills Theater, 139 West 26th Street
WHEN - Thursday January 20th, 2011 7PM sharp
Early Bird tickets $25 through December 31st
Discounted $15 for students and members of the following groups (please enter the promotional codes below in the comments box on our registration page to receive discount).
Please choose the EditFest Shortcuts Event - Craig McKay $35 on the "Special Workshops" drop down tab on the registration page and the discount will be reflected after registering.
October 18, 2018, 8:43 am
In this free video extract from the pureMix.net exclusive, "Brian Lucey: Mastering Philosophy & Techniques" Grammy Award Winning Mastering Engineer, Brian Lucey, discusses his philosophy to mastering, where it fits in the production process and how he approaches his art to establish a connection between the artist and the audience that has an immediacy and timeless result.
October 18, 2018, 8:43 am
Go behind the scenes of "Ant Man and the Wasp" with Danielle Costa, vice president of visual effects for Marvel Studios, as she explains all the amazing ways that CGI experts made characters bug-sized, enormous, and microscopic.
October 18, 2018, 8:42 am
Watching Damien Chazelle’s First Man offers the earthbound viewer the chance to finally realize they don’t have the right stuff. For folks of a certain age, becoming an astronaut used to be one of the coolest possible professions, the kind of thing you said you wanted to be when you were little and didn’t know what engineering was. Or math. Or physics. And, most crucially, you didn’t realize how insanely dangerous it is.
October 18, 2018, 4:49 am
Last night at Adobe Max's Sneaks session, a showcase unveiling potential software features, comedian Tiffany Haddish and Adobe evangelist Paul Trani announced ten new tools that the company is exploring. The sneaks run the gamut from fun voice-to-music features to impressively useful tools like Smooth Operator, an intelligent vertical video cropping tool.
October 17, 2018, 12:16 pm
AE Pixel Sorter was the first tool to bring the pixel sorting glitch effect available for motion designers and video editors within After Effects. Experimenting with Pixel Sorting just became so much easier!
October 17, 2018, 4:42 am
Even before he was promoted to SVP, executive director and head of ILM in May, Rob Bredow was a very busy man. He joined Industrial Light & Magic in 2014 as a visual effects supervisor, then quickly rose up the ranks, helping to launch ILMxLAB in 2015 to develop and release immersive entertainment, moving into the chief technology officer role at Lucasfilm in 2016 and most recently serving as visual effects supervisor and co-producer of Disney’s “Solo: A Star Wars Story,” working alongside director Ron Howard.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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