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January 2, 2011, 12:06 pm
Thelma Schoonmaker, Scorsese editor and widow of director Michael Powell, tells Charlotte Higgins how the 1948 Powell and Pressberger masterpiece The Red Shoes was brought back to its luminous best and presented at by Martin Scorcese at Cannes
July 16, 2009, 4:23 pm
ARRI creates and manufactures the ARRIFLEX D21 digital cinema camera. The camera generates raw image sequences which can be recorded on to digital recording systems such as S.Two’s DFR system and Codex Digital’s field recorders. ARRIRAW files are saved to these devices, preserving the maximum fidelity of the image captured by the D21 cinematography camera. The ARRIRAW Toolkit allows MacOSX users to work with these ".ari" files natively in Final Cut Studio and any Quicktime enabled application.
July 16, 2009, 4:22 pm
Over the past few weeks I’ve found several great tutorials on using Avid & Boris FX together. Some of them have already been posted on PVC, some haven’t. I wanted to put them all together into one place. Media Composer ships with both Avid FX (a special Avid version of Boris Red) and Continuum Complete. When you put it together it makes for an extremely powerful compositing and FX solution.
July 15, 2009, 4:19 pm
Tracey Ullman's comedy sketches are often a barometer of the cultural zeitgeist. Her current show, Tracey Ullman's State of the Union, is the latest forum for the Emmy award winner to showcase her uncanny impersonations and hilarious skits in a satirical look at a day in the life of America. Her unique take on the country's celebrity-obsessed, 24/7 news culture is one step ahead of viewers' expectations with the kind of searing and irreverent insights that keep audiences laughing and coming...
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
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