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January 2, 2011, 12:06 pm
Thelma Schoonmaker, Scorsese editor and widow of director Michael Powell, tells Charlotte Higgins how the 1948 Powell and Pressberger masterpiece The Red Shoes was brought back to its luminous best and presented at by Martin Scorcese at Cannes
August 21, 2008, 2:22 pm
A Sunday morning may not have seemed the most appropriate time to screen the controversial film In the Cut . But a respectable (and not so respectable) crowd turned up at Sydney’s Chauvel Cinema on 23 November for the ASE screening, then adjourned upstairs to pry into the cutting process with editor Alexandre de Franceschi.
August 21, 2008, 2:21 pm
Ken Sallows ASE, recent winner of the IF award for Best Editing for Gettin’ Square, is back home in Melbourne before embarking on another feature film in January. He talks here with Trevor Holcomb (ASE Vic Committee) about his experiences cutting Gettin’ Square and Missing Tom.
August 20, 2008, 2:16 pm
The Directors Guild of Canada has announced the nominations for their annual awards. The Art of the Guillotine would like to congratulate the following editors of the DGC for being nominated in their perspective categories.
August 19, 2008, 2:15 pm
Only a handful of insiders really know what Carrie, Miranda, Samantha and Charlotte have been up to these past few years. It is tantalizing to think about: the gossip, the canoodling, the shoes. These four beloved characters, who became pop-culture icons during the series' six-year run on HBO, will be a welcome sight for millions of ardent fans when Sex and the City: The Movie hits theaters this May.
August 19, 2008, 1:51 pm
Seminar Two: Moderated by Alan Heim A.C.E. with panelists, Mark Goldblatt A.C.E., Mark Helfrich A.C.E., Dan Lebental A.C.E., Paul Rubell A.C.E., and Rick Shaine A.C.E. This Panel discusses how to work on special effects heavy films such as Iron Man and Terminator each of the panelists gives their unique perspective. (Edit Fest 2008)
August 18, 2008, 2:13 pm
Universal Pictures’ The Incredible Hulk, directed by Louis Leterrier, stars Edward Norton as the tortured scientist who’s been poisoned by gamma radiation. Interestingly, Leterrier chose three editors to cut the feature. Here we talk to Rick Shaine, who shares editing credits with John Wright and Vincent Tabaillon, about the film’s workflow and the challenges of cutting an effects-heavy film.
August 18, 2008, 2:10 pm
It’s like some kind of dream for an editor — you get an endless supply of tapes, or digital files, and your job is to shape the content into a winning TV program that will engross skads of viewers once it’s passed muster with your producers, your director and the network. But there is no script. And you have to turn out a fresh, great-looking show every week. And the competition for those viewers could not be more fierce. And the tapes just keep coming and coming. It could...
August 14, 2008, 2:04 pm
As a music editor, one of my most time-consuming tasks is just finding music, and I have always clung to the wish that I could find a one-stop place to shop for source music. And, taking that wish a step further, that after finding, cutting and clearing those obligatory "name artist" soundtrack tunes, I wish I could type in a few keywords and then head off to the beach. For me, that wish was answered when I discovered MasterSource’s online music library and accompanying MasterSearch...
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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