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January 7, 2011, 11:08 am
With the advent of the digital nonlinear editing technology, the workflow in the editorial suite dramatically changed. And it’s never stopped changing. With each new format, new camera and new digital capability, the editorial workflow undergoes an evolution. Most recently, more tasks that once went out-of-house are now being done in the edit suite. Online editing, temp sound mixes and color grading have found a home in editorial. On the positive side, these tasks stay in the hands of...
October 13, 2020, 5:17 pm
Want to learn how to design creature vocalizations? Chase Steele is back with a new in-depth tutorial, covering everything from sourcing and layering creature source material to editing, processing and transforming those recordings into some mean creature vocals. And as a bonus, he's throwing in 26 sound effects for you, completely free!
October 13, 2020, 5:17 pm
Ray McIntyre Jr. has been working in visual effects for over 30 years! He has worked on various shows including LIVE FREE OR DIE HARD, LOOPER, AFTER EARTH and RIM OF THE WORLD. He talks to us today about his work on HBO Max‘s science fiction series, RAISED BY WOLVES.
October 13, 2020, 12:30 pm
Four of the original and current developers of Nuke, Foundry’s VFX-industry-standard compositing application, are among the winners of this year’s Engineering Emmy Awards.
October 12, 2020, 3:00 pm
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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