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January 8, 2011, 9:25 am
In previous posts on color correction and grading I’ve discussed how to use some of the built-in and third-party tools to stylize the look of your production. It never ceases to amaze me how many people assume color grading is just the click of a preset in Magic Bullet Looks or the click of the Auto-Balance function in a grading tool. In fact, grading is more than just fixing problems. It takes a bit of thought and effort to enhance an image creatively and tastefully.
September 28, 2016, 2:35 pm
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX.
September 28, 2016, 4:54 am
I've had some discussions with a few people about the need to try preserve some of the pre-Digital visual effects equipment (optical printers, animation stands, motion control systems, etc) as well as archiving images and other material. This would also apply to miniatures and models.
September 27, 2016, 12:11 pm
In the past two months, Stranger Things has quite literally taken over the world. And in a recent podcast interview, the show's two editors shared some insights into how their work helped shape the show into what it is.
September 27, 2016, 5:55 am
In this free video Pro Tools Expert team member Dan Cooper tests two of the new features in Pro Tools 12.6 by Avid...
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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