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January 8, 2011, 9:25 am
In previous posts on color correction and grading I’ve discussed how to use some of the built-in and third-party tools to stylize the look of your production. It never ceases to amaze me how many people assume color grading is just the click of a preset in Magic Bullet Looks or the click of the Auto-Balance function in a grading tool. In fact, grading is more than just fixing problems. It takes a bit of thought and effort to enhance an image creatively and tastefully.
October 13, 2020, 5:17 pm
Want to learn how to design creature vocalizations? Chase Steele is back with a new in-depth tutorial, covering everything from sourcing and layering creature source material to editing, processing and transforming those recordings into some mean creature vocals. And as a bonus, he's throwing in 26 sound effects for you, completely free!
October 13, 2020, 5:17 pm
Ray McIntyre Jr. has been working in visual effects for over 30 years! He has worked on various shows including LIVE FREE OR DIE HARD, LOOPER, AFTER EARTH and RIM OF THE WORLD. He talks to us today about his work on HBO Max‘s science fiction series, RAISED BY WOLVES.
October 13, 2020, 12:30 pm
Four of the original and current developers of Nuke, Foundry’s VFX-industry-standard compositing application, are among the winners of this year’s Engineering Emmy Awards.
October 12, 2020, 3:00 pm
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
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