Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
January 8, 2011, 12:39 pm
The vectorscope is a powerful tool to help users get a graphical representation of the chrominance values of their footage instead of just having to rely on their eyes because - as we all know - our eyes don't always tell us the whole truth when it comes to dealing with color! Because the vectorscope is somewhat hidden in AE, it is sometimes overlooked, so in this tutorial, Andrew Devis shows how to find, set-up and use the vectorscope in AE to look at whole images as well as specific regions of interest.
March 24, 2017, 4:48 pm
In past outings, the famous ape has been achieved with stop motion, full and partial scale animatronics, and via motion capture and cg. But in Jordan Vogt-Roberts’ new Kong: Skull Island, Kong is a 100-foot-tall keyframed cg creature with very specific design features.
March 24, 2017, 12:12 pm
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.
March 24, 2017, 12:12 pm
NAB 2017 is just around the corner and our sponsor, Lumaforge is heavily committed to bringing together the best and most accomplished FCPX people in the industry. On this episode of The Grill you’re going to hear all about the great things coming up and you’ll also take a bit of a walk thru Sam and I’s various “war stories” of past NAB’s.
March 23, 2017, 4:37 pm
Chris Godfrey is a very experienced Visual effects supervisor and, as with many professionals, he has found that "necessity is the mother of invention". While doing work on the feature film The Great Gatsby he developed a technique on to gain four stops without relighting when doing complex effects work.
March 23, 2017, 9:19 am
Here is a new VFX breakdown by Sony Pictures Imageworks about their work on SUICIDE SQUAD, this time it’s about Enchantress...
March 23, 2017, 9:18 am
Creating a custom grooming system in Houdini for VFX and Games.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.