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January 10, 2011, 12:15 pm
Get that "EditFest" feeling all year long!
In 2008, American Cinema Editors (ACE) launched EditFest LA - a unique event, dedicated to the art of film editing . This weekend series of screenings, talks, Q&A sessions and parties proved an entertaining way to shine a spotlight on an amazing and often misunderstood art. A year later, Manhattan Edit Workshop offered to co-produce EditFest NY, the east coast extension of EditFest and the blockbuster editing event of the Summer! Both shows have become wildly popular weekends for both fledgeling and veteran editors as well as film-lovers and enthusiasts. Now in it's third year, EditFest is growing again - with EditFest Short Cuts! These "mini EditFests" are in-depth talks with a single editor, aimed at taking a deeper look into one artist's body of work.
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor Craig McKay, moderated by distinguished author/editor Bobbie O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by The Moving Pictures Collective NYC.
WHERE - New York's Helen Mills Theater, 139 West 26th Street
WHEN - Thursday January 20th, 2011 7PM sharp
Regular Price - $35
Early Bird Price - $25 (Now through January 14th!)
Discount Price - $15 - For students and members of the following groups (please enter the promotional codes below in the comments box on our registration page to receive discount). Please choose the EditFest Shortcuts Event - Craig McKay $35 on the "Special Workshops" drop down tab on the registration page. You will NOT be charged $35, the discount price will be reflected after registering.
Register today at: www.mewshop.com
February 8, 2017, 7:14 am
A quick guide to importing still images into Avid Media Composer 8.
January 27, 2017, 10:41 am
In our two-day ICA 300 course we will be working on a project that was a theatrically released feature film. The feature was shot on Red Epic using anamorphic lenses. We are going to take the film from the preparation for grading through to the final deliverables. Apart from the obvious color grading work we will also take an extensive look at the new features in Resolve V12 for online and mastering from a feature film perspective.Go here to learn more about this amazing class: http:...
January 26, 2017, 10:35 am
In our two-day ICA 301 course the participants will focus on a previously released international fashion brand commercial. We will look at the commercial from preparation for grading through to the final deliverables. Apart from the obvious colour grading work we will also take an extensive look at the new features in Resolve v12 for online and mastering.Go here to learn more about this amazing class: http://mewshop.com/courses/course_detail/ICA%20301/
January 25, 2017, 7:21 am
John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton"...
January 25, 2017, 7:21 am
Our two-day ICA 201 class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.Find out more about this course here: http://mewshop.com/courses/course_detail/ICA%20201/
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