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January 10, 2011, 12:15 pm
Get that "EditFest" feeling all year long!
In 2008, American Cinema Editors (ACE) launched EditFest LA - a unique event, dedicated to the art of film editing . This weekend series of screenings, talks, Q&A sessions and parties proved an entertaining way to shine a spotlight on an amazing and often misunderstood art. A year later, Manhattan Edit Workshop offered to co-produce EditFest NY, the east coast extension of EditFest and the blockbuster editing event of the Summer! Both shows have become wildly popular weekends for both fledgeling and veteran editors as well as film-lovers and enthusiasts. Now in it's third year, EditFest is growing again - with EditFest Short Cuts! These "mini EditFests" are in-depth talks with a single editor, aimed at taking a deeper look into one artist's body of work.
For our first EditFest Short Cuts we decided to reach for the stars. We got two of them! On January 20th, 2011 at 7PM, at New York's Helen Mills Theater, please join us for an intimate discussion of the editing process through the work of film editor Craig McKay, moderated by distinguished author/editor Bobbie O'Steen. EditFest Short Cuts is produced by ACE and Manhattan Edit Workshop and presented by The Moving Pictures Collective NYC.
WHERE - New York's Helen Mills Theater, 139 West 26th Street
WHEN - Thursday January 20th, 2011 7PM sharp
Regular Price - $35
Early Bird Price - $25 (Now through January 14th!)
Discount Price - $15 - For students and members of the following groups (please enter the promotional codes below in the comments box on our registration page to receive discount). Please choose the EditFest Shortcuts Event - Craig McKay $35 on the "Special Workshops" drop down tab on the registration page. You will NOT be charged $35, the discount price will be reflected after registering.
Register today at: www.mewshop.com
November 7, 2018, 5:25 am
Kevin Tent, ACE began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmak...
November 7, 2018, 5:25 am
Matthew Hamachek’s films have been nominated for two Academy Awards, won three Emmy Awards, and his work as an editor has brought him two Sundance Film Festival Editing Awards. His resume includes Marshall Curry’s "If a Tree Falls," Dawn Porter’s "Gideon's Army," Brian McGinn’s "Amanda Knox," and Matthew Heineman’s films "Cartel Land" and "City of...
October 25, 2018, 9:02 am
Editor Dylan Tichenor, ACE on shaping a quiet scene in "There Will Be Blood." From "Inside the Cutting Room with Bobbie O'Steen" panel from Sight, Sound & Story on June 10th, 2017. Dylan Tichenor, ACE, began working on films as an assistant to Geraldine Peroni (an American film editor) in the 1990’s. When Peroni passed away in 2004, Tichenor stepped to finish her work on Ang Lee’s "Brokeback Mountain." Tichenor was first credited with Paul Thomas Anderson's "Boogie Nights," fo...
October 25, 2018, 4:26 am
Kevin Tent, ACE began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmaker Alexander Payne...
October 24, 2018, 12:46 pm
Editor Bryan Chang from our Documentary panel from "Sight, Sound & Story: Post Production Summiton June 14, 2018. Bryan Chang is a documentary filmmaker whose award-winning films have been featured in The New York Times, National Geographic, TIME Magazine, The Atlantic, MoMA, Sundance Film Festival, and distributed theatrically. His feature-length documentaries include "Brasslands" (director/DP/editor), "Narco Cultura" (editor), "Dark Money" (additional editor) and "Island Soldier...
October 19, 2018, 12:10 pm
MEWShop proudly announces that television & film editor Tim Streeto, ACE, will join our November/December 2018 Six Week Intensive.Tim Streeto, ACE is a film and television editor whose recent credits include Netflix’s Maniac, Amazon’s The Marvelous Mrs. Maisel, Director Marc Webb’s The Only Living Boy in New York, HBO's series Vinyl, WeTV's South of Hell, the Emmy-winning Boardwalk Empire, NBC’s Crossbones, and Noah Baumbach's acclaimed feature films Frances Ha, Greenberg, a...
October 18, 2018, 8:43 am
Understand the art and technique of master editors, led by author and film historian Bobbie O’Steen. Develop a deeper knowledge of the creative thinking behind the process to become a better editor and storyteller.The purpose of this course is to reveal the art and technique of master editors through the screening and discussion of their work. By doing a cut-by-cut analysis, Bobbie will explain the strategies and decisions behind the editing of many successful films - based on extensive in...
October 17, 2018, 12:17 pm
Bryan Chang is a documentary filmmaker whose award-winning films have been featured in The New York Times, National Geographic, TIME Magazine, The Atlantic, MoMA, Sundance Film Festival, and distributed theatrically. His feature-length documentaries include "Brasslands" (director/DP/editor), "Narco Cultura" (editor), "Dark Money" (additional editor) and "Island Soldi...
October 17, 2018, 4:43 am
We've been told that you can't have it all. Today's digital storytellers are faced with the harsh realities of shrinking resources and growing expectations. Editors are facing pressures to work faster, producers have tighter budget constraints and cinematographers are expected to deliver beautiful images with less at their disposal. Fortunately, technology has helped bridge the gap and provides the ability to complete things quickly and at scale, without sacrificing quality. In this works...
October 10, 2018, 12:46 pm
Editor Kevin Tent, ACE edited five films together for this scene from Roger Corman's classic "Ultra Warrior." From the "Inside the Cutting Room with Bobbie O’Steen" panel at Sight, Sound & Story on June 14th, 2018.
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